Tuesday, November 18, 2025

Saint Petersburg - Anna Karenina - Maya Plisetskaya 15/20 Nov 2025

 

Maya Plisetskaya

There are names in ballet that are admired, and then there are names that alter the very course of the art.
Maya Mikhailovna Plisetskaya, born on 20 November 1925, belongs irrevocably to the latter. A legend not only of Russian ballet but of world culture, she was a phenomenon whose artistry transcended national borders, political boundaries, and stylistic categories. To speak of Plisetskaya is to speak of an era—one marked by courage, defiance, musicality beyond measure, and a dramatic intelligence that reshaped the language of classical dance.

In November, as the world approaches what would be her 100th birthday, St. Petersburg prepares to honor her with a week of performances that promise to turn the Mariinsky Theatre into the epicenter of global dance. These days are not merely performances; they are acts of remembrance, celebrations of an artist who changed ballet forever, and tributes to a woman whose shadow still falls beautifully across the stage.

The Unrepeatable Maya Plisetskaya

Plisetskaya possessed the rare gift of making roles entirely her own. Her Kitri in Don Quixote was not simply virtuosic—it was definitive, fiery, and irresistible. Her Odette-Odile blended immaculate technique with psychological nuance. Her Carmen Suite, created for her by Rodion Shchedrin, was a revolutionary reimagining of a classic femme fatale, sculpted with sharp angles, feline tension, and an authority that no dancer before or since has matched.
And her Dying Swan—those few minutes of shimmering fragility—became an icon of expressive minimalism.

For decades she was a beloved friend of the Mariinsky Theatre, an honored guest at premieres and festivals, and an artistic voice whose insight shaped the theatre’s repertoire. Many of Shchedrin’s works, born from their artistic partnership, hold a distinguished place in the Mariinsky to this day. It is therefore fitting that the theatre now pays tribute not only to her memory but also to the enduring power of the ballets she inspired.


A Week of Anna Karenina: Four Women, Four Universes

Rodion Shchedrin’s Anna Karenina—a ballet of sweeping emotion, intricate musical architecture, and devastating human drama—returns to the Mariinsky stage in a series of performances dedicated to both Plisetskaya and Shchedrin. Few ballets are so intimately tied to the soul of the artist who inspired them; few roles offer a dancer such psychological richness.

This week brings four Annas, each shaped by a different temperament, dramatic instinct, and musical sensibility.

November 15 – 14:00

Featuring: Olesya Novikova, Islom Baimuradov, Alexander Sergeev

The luminous Olesya Novikova opens this series. A dancer of crystalline technique and refined musicality, Novikova embodies Anna with a classical purity and emotional delicacy that promise a reading of the role rich in introspection. Her lines, always exquisite, seem to breathe with Tchaikovskian melancholy. Paired with Islom Baimuradov and Alexander Sergeev—artists of exceptional dramatic intelligence—this performance will undoubtedly bring forth the ballet’s quiet, aching poetry.

November 15 – 19:00

Featuring: Viktoria Tereshkina, Yevgeny Deryabin, Roman Belyakov

The evening performance brings my personal favourite: Viktoria Tereshkina, one of the greatest ballerinas of our time. Tereshkina’s dancing possesses a rare combination of power, majesty, and sculptural clarity. Her Anna is not fragile; she is formidable, proud, and tragically human. Few dancers can command the stage with such authority, and the drama of Shchedrin’s score seems to radiate through her entire presence. With Deryabin and Belyakov as her partners, this will surely be a performance of thrilling intensity.

November 17 – 19:00

Featuring: Ekaterina Kondaurova, Yevgeny Deryabin, Konstantin Zverev

Ekaterina Kondaurova—intellectual, magnetic, sculptural—approaches Anna with a psychological depth that transforms every gesture into narrative. She is a dancer who thinks in chiaroscuro, in contrasts of light and shade, making her interpretation uniquely compelling. The partnership with Deryabin and Zverev enhances the dramatic tension that lies at the heart of the ballet.

November 19 – 19:00

Featuring: Renata Shakirova, Islom Baimuradov, Alexander Sergeev

Renata Shakirova brings a different energy: youthful, vibrant, impulsive. Her attack, speed, and fearless theatricality make her Anna a portrait of emotional turbulence. This performance, with Baimuradov and Sergeev, will surely highlight the ballet’s more visceral dimensions.

Four interpretations. Four visions of womanhood, passion, vulnerability, and fate. Each cast illuminates a different facet of Shchedrin’s masterpiece. And together they create a living tribute to Plisetskaya, who shaped this ballet with her spirit long before it reached the stage.


20 November — “Maya Plisetskaya: A Portrait of an Era”

Dedicated to the 100th birthday of Maya Plisetskaya

The week culminates in a grand gala—a celebration not only of a ballerina, but of a century she helped define.
The cast reads like a gathering of stars:

Viktoria Tereshkina
Renata Shakirova
Nadezhda Batoeva
Oxana Skorik
Ekaterina Kondaurova
Maria Iliushkina
Yana Peneva
Elena Yevseyeva
Daria Kulikova
Valeria Kuznetsova
Anastasia Yaromenko

…and many of the company’s leading men, joined by the Mariinsky Orchestra under Arseny Shuplyakov.

The program of the first part has not yet been revealed, but one jewel has already been announced: Carmen Suite, the masterpiece created expressly for Plisetskaya.
It is impossible to overstate the importance of this ballet. It is not simply a role she danced—it is a role she created, shaped, and infused with her own rebellious artistic DNA. Its return to the stage on the evening of her centenary is profoundly symbolic.

This gala is not an ordinary celebration. It is a portrait not only of Plisetskaya’s artistry but of the artistic lineage she helped forge—a lineage now embodied by the brilliant dancers who will pay tribute to her.


A City Transformed: St. Petersburg at the Center of the Dance World

For these days, St. Petersburg becomes a sanctuary of memory and movement, a place where the past and present converse through choreography. Maya Plisetskaya’s legacy is not a museum artifact; it lives in the bodies and minds of the dancers who take the stage today.

To witness Tereshkina, Novikova, and Shakirova—three of my most beloved ballerinas—perform during this commemorative week is a privilege. They represent the continuation of a tradition shaped by the audacity and brilliance of Plisetskaya herself. Their artistry, each distinct, forms a constellation that honors the legacy of the ballerina who made the impossible seem not only possible, but inevitable.

These performances are not merely evenings at the theatre—they are chapters of ballet history, unfolding in real time.

As we enter this week of remembrance and celebration, one thing becomes clear:
Maya Plisetskaya did not simply dance ballet; she expanded its universe.
And in St. Petersburg, that universe shines brighter than ever.

London - Perspectives: Balanchine, Marston, Peck - Nov/Dec 2025


Triple Bill 

There are few experiences as moving and unforgettable as an evening at the Royal Opera House — the lights dim, the orchestra begins to play, and the stage opens to reveal a world of beauty, grace, and emotion. On 15 November 2025, the curtain will rise on Perspectives, a dazzling triple bill that promises to be one of the highlights of the London ballet season.

This special program brings together three very different choreographic voices — George Balanchine, Cathy Marston, and Justin Peck — spanning nearly a century of ballet history and innovation. It is a celebration of style, creativity, and musicality, performed by the incomparable artists of The Royal Ballet.


Serenade — George Balanchine

Choreography: George Balanchine
Costume Design: Karinska
Lighting Design: John B. Read
Conducted by: Martin Georgiev

Cast:

Balanchine’s Serenade is one of the great landmarks of 20th-century ballet — a lyrical masterpiece that embodies the essence of the neoclassical style. Created in 1935 on the students of the newly founded School of American Ballet, Serenade was the first ballet Balanchine made in America. Its haunting opening tableau — a group of women bathed in blue light, arms raised toward the sky — has become one of the most iconic images in dance history.

Set to Tchaikovsky’s Serenade for Strings, the ballet moves between dream and reality, order and freedom, the individual and the ensemble. Balanchine famously incorporated the dancers’ real-life mistakes and mishaps into the choreography, turning accident into art — a perfect example of his creative genius.

For many of us, it will be a special joy to see Fumi Kaneko in this ballet. Now a Principal Dancer with The Royal Ballet, she combines refined classicism with extraordinary depth and soul. I still remember seeing her on stage , another november, it was exactly 15th november 2019 — as Aurora in The Sleeping Beauty alongside Reece Clarke. That night, they were unexpectedly replacing Akane Takada and Steven McRae, and what a revelation it was. Both Kaneko and Clarke would soon rise to become Principal Dancers. To witness her again now, leading Serenade, feels like a beautiful circle completed. Fumi kaneko will be surrounded by the great dancers Ryoichi Hirano, Vadim Muntagirov, Melissa  Hamilton and Leticia Dias. A first ballet that will be unforgettable with these stars on stage.


New WorkWorld Premiere by Cathy Marston

Choreography: Cathy Marston
Conducted by: Martin Georgiev
Solo Violin: Vasko Vassilev
Orchestra: Orchestra of the Royal Opera House

Cast:

Few choreographers today create ballets with such deep narrative resonance as Cathy Marston. Her works, often inspired by literature and human emotion, explore the complexities of relationships, identity, and transformation. For this world premiere, Marston turns to the evocative music of Benjamin Britten, crafting a new piece that promises to be both intellectually rich and emotionally powerful.

The cast alone makes this ballet one of the season’s most anticipated moments: Melissa Hamilton, an artist admired for her strength, sensitivity, and sculptural elegance, shares the stage with three of the company’s leading men — William Bracewell, Matthew Ball, and Nicol Edmonds. A dream ensemble, united in a new creation that will undoubtedly push the boundaries of storytelling through movement.

I personally cannot wait to see Hamilton in this work. She has such a compelling stage presence — thoughtful, passionate, yet understated. To see her alongside these remarkable partners will surely be a highlight of the evening.


Everywhere We Go — Justin Peck

Choreography: Justin Peck
Conducted by: Martin Georgiev
Orchestra: Orchestra of the Royal Opera House

Cast:

The evening will conclude with a burst of modern vitality — Justin Peck’s Everywhere We Go, marking the first time a Peck ballet has been performed by The Royal Ballet. Peck, the Resident Choreographer of New York City Ballet, is celebrated for his dynamic movement language and inventive use of ensemble. Set to Sufjan Stevens’ rhythmic and cinematic score, Everywhere We Go radiates energy, optimism, and youthful brilliance.

Leading the cast are Marianela Nuñez and Reece Clarke — a pairing that promises magic. Nuñez, one of the greatest ballerinas of our time, continues to astonish with her virtuosity, musicality, and emotional warmth. Clarke, now at the peak of his artistry, has enjoyed a remarkable year — triumphing as Aminta at the Metropolitan Opera in New York and receiving standing ovations in Giselle at the Palais Garnier in Paris, dancing alongside the Paris Opera Ballet étoile Hannah O’Neill. Soon, they will reunite in London for another Giselle, and it feels as though we are witnessing a golden moment in his career. With such a stellar program, this triple bill will undoubtedly be one of the jewels of the 2025–2026 Royal Ballet season. From Balanchine’s timeless classic to Marston’s poetic new creation and Peck’s contemporary dynamism, the evening will showcase the full breadth of The Royal Ballet’s artistry.

For anyone in London — or planning a visit to the capital — this performance on 15 November 2025 are a must , and the following evenings with equally fabulous casts, they are all great, I would see them all. 

Each performance offers a unique cast and combination of Royal Ballet stars — from the radiant Marianela Nuñez and Fumi Kaneko, to the charismatic Reece Clarke, Melissa Hamilton, and Akane Takada.

Across these dates, audiences will experience the breadth of the company’s artistry: Balanchine’s luminous Serenade, Marston’s evocative world premiere, and Peck’s exhilarating Everywhere We Go — the latter performed for the very first time by The Royal Ballet. I will do everything I can to attend the opening night — and to witness once again the luminous artistry of Fumi Kaneko, Melissa Hamilton, Reece Clarke, and Marianela Nuñez. It will surely be an evening to remember, full of elegance, emotion, and the magic that only ballet can bring.

Saturday, 15 November 2025 — 1:00 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Nicol Edmonds, Yuhui Choe, Mariko M. Sasaki

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Saturday, 15 November 2025 — 7:00 PM

Serenade
Annette Buvoli, Reece Clarke, Sae Maeda, Claire Calvert, Téo Dubreuil

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 18 November 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Sae Maeda, Claire Calvert, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Thursday, 20 November 2025 — 7:30 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Leticia Dias, Nicol Edmonds, Yuhui Choe

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 25 November 2025 — 7:30 PM

Serenade
Annette Buvoli, Mayara Magri, Reece Clarke, Claire Calvert, Téo Dubreuil

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Friday, 28 November 2025 — 7:30 PM

Serenade
Fumi Kaneko, Mayara Magri, Ryoichi Hirano, Vadim Muntagirov, Melissa Hamilton

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Tuesday, 2 December 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Claire Calvert, Mariko M. Sasaki, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda

18th november 2025

In just a couple of hours, the curtain will rise again at the Royal Opera House in Covent Garden for another wonderful performance of this triple bill. Opening night was a great success, as have been all the subsequent shows, featuring the stars of The Royal Ballet.

Today, 18 November, we’ll see the magnificent Marianela Núñez and a superb cast. And on the 20th, we’ll see Sarah Lamb, Yuhui Choe, Leticia Dias, Ryoichi Hirano, and Nicol Edmonds live on stage—my favourite dancers from the company. Sarah Lamb couldn’t attend the Barcelona ballet gala, but Ryoichi Hirano did, earning memorable acclaim. Now both will shine again on the 20th, in a truly luxurious cast.

The remaining performances are just as spectacular: all the casts are genuinely dreamlike.

Sunday, November 16, 2025

Moscow - The Bright Stream - 22/23 Nov 2025

 

A Radiant Celebration of Shostakovich: The Bright Stream Returns to the Bolshoi

This November, the Bolshoi Theatre invites us into the vibrant, whimsical, and deeply human world of Dmitri Shostakovich’s ballet The Bright Stream, Op. 39—one of the composer’s most charming and ingenious creations. A ballet filled with humor, heart, lyrical beauty, and symphonic brilliance, The Bright Stream remains a luminous testament to Shostakovich’s gift for storytelling through music.

First premiered in 1935, this ballet continues to captivate audiences with its irresistible blend of comedy and sophistication, its sweeping melodies, and its playful traditions of masquerade, mistaken identity, and theatrical surprise. The choreography—clever, character-driven, and full of joyful invention—showcases the expressive power of classical dance at its finest. Witty, warm, and wonderfully alive, it is a ballet that leaves the audience smiling long after the final curtain falls.

The Bolshoi’s orchestra breathes vibrant life into Shostakovich’s extraordinary score, a tapestry of brilliant colors, dances, lyrical passages, and sparkling orchestral textures. From delightful waltzes and joyous galops to tender adagios and vivid character moments, the music is a masterpiece in its own right—one that elevates every gesture, every step, every moment on stage.

This season’s performances promise to be truly exceptional. With some of the Bolshoi’s most beloved stars alternating in the leading roles—many of them audience favorites across Russia and around the world—each cast brings its own magic, personality, and brilliance to the story. Below is the complete schedule, featuring all casts for this remarkable series of performances:


🌾 November 22 — Matinée (12:00)

A beautifully balanced and radiant cast opens the run:
Ballerina: Kristina Kretova
Ballet Dancer: Artem Ovcharenko

A matinée full of elegance and charm, highlighted by the refined artistry of Kristina Kretova and the celebrated brilliance of Artem Ovcharenko.


🌙 November 22 — Evening Performance (19:00)

A stellar, galactic lineup of Russian ballet stars lights up the Bolshoi stage:
Ballet Dancer: Vladislav Lantratov

Anna Nikulina—who recently triumphed in The Firebird—returns to enchant audiences once again, joined by Eleonora Sevenard’s luminous stage presence and the dramatic power of Denis Rodkin and Vladislav Lantratov. An evening performance with all the excitement of a gala.


🌞 November 23 — Matinée (12:00)

Featuring one of the Bolshoi’s most promising rising stars:
Ballet Dancer: Dmitry Vyskubenko

Maria Koshkaryova, whose elegance and refinement continue to enchant audiences, leads this matinée full of youthful energy and beautiful character interpretation.


🌟 November 23 — Second Performance

A dazzling performance featuring some of the Bolshoi’s most charismatic artists:
Ballet Dancer: Artem Ovcharenko

The presence of Artem Ovcharenko—one of the Bolshoi’s most admired dancers, beloved for his noble style and impeccable technique—adds brilliance to this performance. Maria Vinogradova and Ivan Vasilev bring fire, musicality, and virtuosity to their roles, while Anastasia Stashkevich’s charm and theatrical clarity promise a truly unforgettable interpretation of Zina.


Across these performances, audiences will experience the full richness of the ballet:
✨ the delightful ensembles full of energy and character
✨ enchanting pas de deux that combine elegance with comedy
✨ virtuosic variations filled with charm and technical brilliance
✨ and Shostakovich’s insurmountable music, a score overflowing with joy, color, and emotional depth

Celebrated for its triumphant success in Manhattan during the Bolshoi’s New York tour, The Bright Stream returns now to Moscow ready to shine once again—maybe even brighter than before.

This is a ballet of pure entertainment, sparkling artistry, and theatrical delight. A celebration of dance, music, and storytelling that warms the heart and lifts the spirit.

🌟 A masterpiece not to be missed.
Whether it is your first encounter with Shostakovich’s comic ballet or a long-awaited return, these performances promise unforgettable magic.

Moscow - The Firebird - 14/16 Nov 2025

The Bolshoi Ballet in Moscow offers audiences an unforgettable artistic celebration this weekend
, presenting a magnificent triple bill that brings together three of Michel Fokine’s historic masterpieces: Schéhérazade, The Firebird, and Petrouchka. These works, which form part of the legendary Ballets Russes legacy, return to the Bolshoi stage with a succession of extraordinary casts, each performance promising brilliance, drama, and true Russian grandeur.

The opening performances have already set the tone. On 15 November, today,  the Bolshoi presented Schéhérazade with the luminous Anna Nikulina, who recently enjoyed a resounding triumph in Aurora , today another triumph in The Firebird. Conducted by none other than Valery Gergiev, the performance was a true event, marrying dramatic orchestral power with the sensuality and opulence of Fokine’s iconic choreography. Evenings such as these confirm the Bolshoi as a house of extraordinary talent and artistic depth.

Tomorrow, on 16 November, the theatre presents two performances of this triple bill — one at 12:00 and one at 18:00 — each with meticulously assembled casts featuring both celebrated stars and radiant rising artists.


🌟 SCHÉHÉRAZADE – Sensuality and Oriental Splendor

Based on tales from The Arabian Nights, Schéhérazade is one of Fokine’s most evocative creations. With Rimsky-Korsakov’s richly colored score and Léon Bakst’s legendary original designs, the ballet unfolds in an atmosphere of intense drama, seduction, and emotional turmoil.


16 November – Evening Performance (18:00)

A cast full of expressive power and dramatic presence:

Already admired for her sensational Kitri on 28 October, Koshkaryova brings passion, fluidity, and theatrical fire to the role of Zobeide. Her performances are vividly memorable and tomorrow’s is highly anticipated.

Golden SlaveEgor Gerashchenko
A dancer of enormous physical charisma with a powerful stage presence.

ShahriyarNikita Elikarov
ShahzemanIvan Alexeyev
Head EunuchAlexei Matrakhov

Odalisques:


16 November – Midday Performance (12:00)

A breathtaking cast led by two of the Bolshoi’s most adored stars:

One of the most beloved ballerinas of the company, famously a peerless Aurora and Raymonda, a ballerina of exquisite poise, acting finesse, and technical mastery.

Golden SlaveVladislav Lantratov
Renowned internationally for his dramatic intensity, noble presence, and extraordinary versatility — a perfect match for the emotional world of Schéhérazade. The first time I saw him was in La Bayadère with Maria Alexandrova, and shortly before or after, I don't remember anymore, with Anna Nikulina and Ekaterina Shipulina and Denis Rodkin in Raymonda, and the great Maria Alexandrova, a galactic cast!!! 

ShahriyarYuri Ostrovsky
ShahzemanKamil Yangurazov


🔥 THE FIREBIRD – Magic, Mystery, and Myth

Stravinsky’s The Firebird remains one of Fokine’s greatest triumphs — a ballet steeped in fantasy and Slavic mythology. With its vibrant score and striking imagery, it offers unforgettable roles for dramatic ballerinas and hero-princes.

Already performed:

  • 14 NovemberElizaveta Kokoreva, the young and fabulous star of the company. 

  • 15 NovemberAnna Nikulina, a beloved Bolshoi principal, with Valery Gergiev conducting

Both performances reaffirmed the timeless allure of this work and highlighted the depth of talent within the company.


16 November – Midday Performance (12:00)

The FirebirdAlyona Kovalyova
A ballerina of pure lyricism, majestic lines, and a remarkable presence — ideal for this magical role.

Ivan TsarevichArtemy Belyakov
An elegant, noble dancer with superb classical refinement.

The Beautiful TsarevnaVasilisa Derendyaeva
KashcheiNikita Elikarov


16 November – Evening Performance (18:00)

The FirebirdYulia Stepanova
Known for her dramatic artistry and powerful technique, Stepanova brings a darker, more mysterious nuance to the Firebird. A performance to look forward to.

Ivan TsarevichDmitry Vyskubenko
The Beautiful TsarevnaAna Turazashvili
KashcheiStepan Gusarov


🎭 PETROUCHKA – Tragedy in the Fairground

Fokine’s Petrouchka is a powerful blend of pathos and folklore, following the heartbreaking tale of a puppet with a human soul. It requires dancers capable of deep dramatic engagement and expressive sensitivity.

On 14 November, the role of Petrouchka was interpreted by the great Vladislav Lantratov, partnered by Maria Vinogradova — a pairing that offered tremendous emotional impact and artistic unity.

On 15 November, Alexei Putintsev stepped into the role, dancing with Anastasia Stashkevich and Anton Savichev. Putintsev’s success was overwhelming. After his brilliant Basilio in Don Quixote on 29 October, with Anastasia Smirnova,  they danced so wonderfully . He partnered fantastically Anastasia Smirnova, that performance of 29th october will be memorable, many described as one of the finest Basilios in the world, not only in Moscow and Smirnova's Kitri was sensational . Today He got another triumph with his performance as Petrouchka conducted by Valery Gergiev . Critics alike now speak of him as the new star of the Bolshoi. His charisma, flawless technique, and dramatic instinct make him a dancer to follow very closely. We look forward to see him in Swan Lake or Sleeping Beauty, La Bayadère and of course, again as Basilio.


16 November – Midday Performance (12:00)

A beautiful performance featuring two gifted young artists:

PetrouchkaDaniil Potaptsev
BallerinaElizaveta Kokoreva
A pairing that promises freshness, elegance, and expressive sensitivity.


16 November – Evening Performance (18:00)

To close this extraordinary day:

PetrouchkaArtem Ovcharenko
A dancer of immense refinement and dramatic intelligence — always a pleasure to watch in roles requiring depth and emotional nuance.

BallerinaMaria Vinogradova
One of the Bolshoi’s most exquisite artists, known for her beauty of line, musicality, and theatrical warmth.


A Weekend to Remember at the Bolshoi Ballet

This succession of masterpieces by Michel Fokine, brought to life by casts of exceptional calibre, confirms yet again the vitality and brilliance of the Bolshoi Ballet. From the exotic passion of Schéhérazade, to the mythical radiance of The Firebird, and the poetic tragedy of Petrouchka, this weekend’s performances promise emotion, artistry, and unforgettable theatrical magic.

A true celebration of dance — and a gift for every ballet lover.

Saturday, November 15, 2025

Milano - The Sleeping Beauty - from 18 December 2025 to 13 January 2026

✨🌙 A Winter Spell at La Scala: The City Holds Its Breath for Aurora 🌙✨

As the winter lights begin to shimmer through the streets of Milan, a familiar sense of enchantment returns to the city. Every December, La Scala—the beating heart of Italy’s artistic soul—opens its doors to a world where imagination takes center stage. But this year, the anticipation is unlike anything seen in recent seasons.
This year, La Scala prepares to unveil a masterpiece: The Sleeping Beauty, in a roduction so opulent, so meticulously crafted, that it already feels destined to become a landmark in the theatre’s storied history.

The sets promise a journey into a world suspended in time: crystal chandeliers glimmering like frozen stars, velvet curtains heavy with centuries of stories, costumes woven with golden threads, each stitch echoing the grandeur of imperial courts long gone. The orchestra is set to breathe life into Tchaikovsky’s immortal score, wrapping the audience in a cascade of musical splendor.

It will be a feast. A dream. A moment where old-world elegance meets the electric excitement of a city that worships beauty.

And yet—above all the glitter, all the anticipation, all the artistry—one question has captured the imagination of dancers, critics, and dreamers across Milan:

Who will be Aurora on opening night?

The role that transforms a dancer into a legend.
The role that requires innocence, strength, poetry, technique, radiance—and something else, too. Something ineffable. A touch of magic.

La Scala guards the secret with exquisite silence.
No announcement. No hint. No whisper from behind the velvet curtain.

In the rehearsal studios, the atmosphere is charged. Each ballerina who could embody Aurora brings her own constellation of gifts. Some are ethereal, like morning mist. Others shine with fiery brilliance, commanding every corner of the stage. Some dance as if they were sculpted from moonlight itself.

And still, the official word remains sealed.

Backstage, speculation grows.
In cafés surrounding the Piazza della Scala, conversations flicker between possibilities. Devoted ballet lovers exchange theories; longtime fans recall past Auroras who left their hearts trembling; journalists wait, pen in hand, for the moment the theatre will reveal the name.

But for now? We live in the delicious tension of the unknown.

Tickets, already on sale, are disappearing at lightning speed. As every Milanese ballet enthusiast knows, a premiere at La Scala—especially one wrapped in such mystery—is not just a performance. It is an event. A ritual. Something spoken about long after the final curtain falls.

And so, the city waits.
With elegance. With excitement. With just a touch of impatience.
Milan is a place that understands anticipation almost as well as it understands style.

There are wonderful Auroras in this city—artists whose talent could illuminate the stage in a hundred different ways. But only one will have the honor of stepping into the spotlight on that first, unforgettable night. Only one will awaken in the glow of the footlights as the world watches.

Who will she be?
Will the reveal arrive suddenly, like a gust of winter wind sweeping through the piazza?
Or will La Scala hold the mystery until the very last breath before the curtain rises?

Perhaps the answer will come tomorrow.
Perhaps next week.
Or perhaps, like every great fairy tale, it will be revealed at the exact moment when suspense transforms into wonder.

Until then, we remain spellbound—caught in the sweetest of waiting games.

🌙✨ The magic gathers. The lights rise. The mystery deepens…
Who will be our Aurora? ✨🌙

Sunday, November 9, 2025

Barcelona - Ballet Gala - 9/10 nov 2025

 ✨ Gran Gala de Danza at the Liceu: From Petipa to Balanchine — A Night When the World Will Dance in Barcelona

There are nights when the art of ballet transcends the stage — when it becomes a pure act of love, memory, and celebration.
On November 9 and 10, 2025, the Gran Teatre del Liceu in Barcelona will open its golden curtains for such a night — or rather, two nights — that promise to remain forever in the memory of all who breathe the poetry of dance.

Under the title From Petipa to Balanchine, the Gran Gala de Danza will unite on the Liceu stage a constellation of stars — the kind of dazzling line-up that only happens once in a lifetime. From St. Petersburg to London, from New York to Seoul, from Paris to Houston, from Stuttgart to Barcelona itself, the greatest artists of our era will gather to honor ballet’s eternal flame.

This is not merely a gala. It is a celebration of legacy and renewal — a dialogue between generations, between classical perfection and the vibrant pulse of today’s dance world. The Ballet de Catalunya and the Symphony Orchestra of the Gran Teatre del Liceu, conducted by Andrea Quinn, will join forces under the artistic direction of Leo Sorribes to create a night where the world’s finest dancers will offer the most exquisite gift: beauty itself.


🌹 The Sacred Stage of the Liceu

Few theaters in the world can rival the majesty and history of the Gran Teatre del Liceu.
For over a century and a half, its stage has been a temple to music and dance — a space where Dame Margot Fonteyn, Rudolf Nureyev, Maya Plisetskaya, and so many others have cast their spells before enraptured audiences.

To see the Liceu once again transformed into a cathedral of ballet, illuminated by the radiance of a new generation, feels like witnessing time fold upon itself. The spirit of Fonteyn’s grace, of Nureyev’s fire, of the great Petipa himself, will surely hover over these two evenings, blessing the dancers who now inherit their mantle.


🌟 A Constellation of Stars 🌟 The Stars Who Will Illuminate the Night in the Rambla Liceu Opera House 

The roster assembled for this Gala reads like a dream, each name carrying a story of devotion, artistry, and triumph.


Maria KhorevaMariinsky Ballet, St. Petersburg

The jewel of the Vaganova school, Maria Khoreva embodies the essence of Russian ballet: purity, precision, and musical intelligence. She will come to Barcelona shortly after dancing Giselle at the Mariinsky — a role that has become a reflection of her own artistry: fragile, spiritual, luminous. Watching Khoreva dance is like witnessing lace move to the rhythm of a heartbeat.


Sangeun LeeEnglish National Ballet

From Seoul to Dresden and now London, Sangeun Lee has traced a path of grace and quiet strength. Trained at the Sunhwa Arts Schools, she was a Soloist with the Universal Ballet and later Principal at the Semperoper Ballett Dresden, where her portrayals of Giselle and La Bayadère drew critical acclaim. Since joining the English National Ballet, her dancing radiates an effortless musicality that marries Asian lyricism with European finesse — a rare and delicate alchemy.


Gareth HawEnglish National Ballet

From Cardiff comes Gareth Haw, one of Britain’s brightest hopes. Educated at The Royal Ballet School, he ascended swiftly through the ranks of the Semperoper Ballett and, within two years of joining ENB, reached the pinnacle as Lead Principal. With noble line and poetic strength, Haw is the epitome of the modern danseur noble: intelligent, musical, and deeply human in his interpretations.


Chloe MisseldineAmerican Ballet Theatre (ABT)

New York’s newest star, Chloe Misseldine, is ballet’s whisper of the future. This summer, she captivated the audience of the Metropolitan Opera House with her sublime Swan Lake — a performance hailed as “a revelation of elegance and emotion.” Soon after dancing Nikiya in La Bayadère, she will cross the Atlantic to grace the Liceu stage. Her Odette was pure soul; her Nikiya, a breath of tragedy. In Barcelona, we will witness a young artist on the threshold of legend.


Joo Won AhnAmerican Ballet Theatre (ABT)

A perfect complement to Misseldine, the South Korean Joo Won Ahn combines heroic strength with lyrical artistry. Trained at the Korea National University of Arts, his Albrecht and Solor are marked by noble presence and spiritual depth. Ahn’s technique is crystalline, but it is his quiet humility and sincerity that make his dancing unforgettable.


Friedemann VogelStuttgart Ballet

There are artists who define an era. Friedemann Vogel is one of them. Celebrating twenty-five years with the Stuttgart Ballet, he remains the quintessence of classical elegance. Recipient of the prestigious John Cranko Prize, Vogel is a poet of movement — refined, introspective, timeless. His every gesture speaks of a life dedicated to beauty.


Olga Smirnova & Jacopo TissiDutch National Ballet

After their triumphant Romeo and Juliet in Amsterdam this October, the reunion of Olga Smirnova and Jacopo Tissi on the Liceu stage will be nothing short of magic. Smirnova, with her impeccable Vaganova training and emotional depth, is the embodiment of grace. Tissi, her Italian counterpart, dances with noble grandeur and lyrical power. Together they are a symphony of passion and restraint, a dialogue between two cultures united by the same language: the language of dance.


Sarah Lamb & Ryoichi HiranoThe Royal Ballet, London

Few partnerships possess the chemistry of Sarah Lamb and Ryoichi Hirano.
Lamb, one of the Royal Ballet’s most luminous Principals, first enchanted Barcelona as Aurora in The Sleeping Beauty during the company’s tour — a performance still remembered as one of the Liceu’s most sublime nights. Hirano, her frequent partner, is admired for his dignified artistry and profound musical understanding. Together they weave refinement and passion into the purest harmony.


Hannah O’NeillÉtoile, Paris Opera Ballet

The Paris Opera Ballet’s newly appointed étoile, Hannah O’Neill, is the embodiment of elegance reborn. Of Japanese and New Zealand heritage, she unites precision, fire, and serenity in equal measure. Her Giselle at the Palais Garnier was greeted with rapture, and her mastery of Balanchine’s repertory has made her one of the most versatile artists in Paris. In Barcelona, she will bring the luminous spirit of the French school — crystalline, intellectual, yet heartbreakingly beautiful. Hannah O’Neill has conquered audiences with her crystalline technique and inner radiance.

Her Giselle and Aurora at the Palais Garnier were revelations — classical yet alive with emotion. A true specialist in Balanchine, she will bring Parisian chic and Balanchinean brilliance to the Liceu.



Liudmila KonovalovaVienna State Ballet / Guest Artist

A true Russian jewel, Liudmila Konovalova, trained at the Bolshoi Academy, carries within her the legacy of Moscow’s great classical tradition. Her Odette is a vision of purity; her technique, impeccable. Before arriving in Barcelona, she will appear in London’s Nutcracker and later in Switzerland as Odette/Odile — a testament to her international acclaim. Her presence in the Gala will bring that unique fragrance of Russian romanticism to the evening.


Yuriko Kajiya & Connor WalshHouston Ballet

Yuriko Kajiya, born in Aichi, Japan, began her training at eight and became one of the first foreign students at the Shanghai Ballet School. A winner of the Prix de Lausanne, she personifies delicacy, clarity, and integrity. Her partner Connor Walsh, from Virginia, trained at the Kirov Academy and Harid Conservatory, joining Houston Ballet in 2004 and becoming Principal in 2007. Together, Kajiya and Walsh evoke the American romantic ideal — luminous, tender, technically flawless.


Tiler Peck & Roman MejiaNew York City Ballet

From the electric heart of Manhattan comes the most dynamic duo in American ballet today. Tiler Peck, a phenomenon of musical precision and joy, and Roman Mejia, her charismatic partner, will bring to Barcelona the kinetic brilliance of Balanchine’s New York. Their dancing is the embodiment of life itself — quicksilver energy, sparkling rhythm, and the courage to reinvent every phrase anew. Few duos radiate such joy and vitality. Tiler Peck, the radiant muse of Balanchine, and Roman Mejia, her fiery partner, will bring to Barcelona the very spirit of New York: spontaneous, musical, breathtakingly alive. Watching them is to witness rhythm itself made flesh.


Julian MacKayBavarian State Ballet

Julian MacKay’s story reads like a modern ballet fairytale. Born in Montana into a family of dancers, trained at the Bolshoi Academy, and polished at The Royal Ballet School, he bridges East and West with ease. Currently a Principal in Munich, he dances Albrecht in Giselle on this very stage in October — a role that marks both his Liceu debut and his artistic homecoming. His return for the Gala will feel like the continuation of a love story between dancer and theatre. Julian MacKay unites Russian discipline with American openness.

He is currently dancing Giselle as Albrecht at the Liceu — and will return for the Gala as both protagonist and promise. His elegance recalls a young Baryshnikov; his artistry, deeply his own.

Ellen Mäkelä, Paolo Calò & David García LucasBallet de Catalunya

The local spirit will shine through the dancers of the Ballet de Catalunya, led by Ellen Mäkelä and Paolo Calò, both First Soloists, and David García Lucas. They represent the vitality and excellence of Catalan dance today — artists of commitment, intelligence, and technical refinement. Their participation links this Gala not only to the great international houses but also to the creative heart of Catalonia itself.


🎶 The Orchestra and the Repertoire

The evening’s live music will be entrusted to the Symphony Orchestra of the Gran Teatre del Liceu, under the baton of Andrea Quinn, renowned for her elegant precision and sensitivity to dancers.
The repertoire will span centuries and continents: from Marius Petipa’s classical grandeur to George Balanchine’s neoclassical architecture, through Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa.

The composers’ names — Tchaikovsky, Massenet, Yates, Bates, Puccini — form a musical bridge between worlds, uniting Russian romanticism, French lyricism, and modern soundscapes.


💫 A Dialogue Between Centuries

To witness From Petipa to Balanchine at the Liceu is to witness ballet’s living history unfold before our eyes. Each dancer brings not only their own artistry but the heritage of their school:
the noble strength of the Russian academies, the clarity of the French tradition, the lyricism of the British style, the vitality of American ballet, and the fresh spirit of Catalonia’s own company.

It will be an evening where styles converse, where past and present meet — where Petipa’s romantic ideals meet Balanchine’s crystalline abstraction.
In that dialogue lies the beauty of ballet itself: ever ancient, ever new.


🕊️ An Unforgettable Night Awaits

To gather such an extraordinary galaxy of talent in one theatre, for two nights only, is something that even the great stages of the world rarely achieve.
For those fortunate enough to be in Barcelona on November 9 or 10, this will be an opportunity to witness not just dance, but living history — to feel the continuity of the art that began with Petipa and still burns with Balanchine’s modern light.

The Liceu — that venerable stage that once welcomed Margot Fonteyn and now embraces the stars of a new century — will once again become the heart of the ballet world.
The chandeliers will shimmer, the orchestra will breathe, and as the curtains rise, time itself will seem to pause.

Because ballet, in its purest form, is not merely an art.
It is the promise of eternity made visible — and on those nights, eternity will dance in Barcelona.


✨ A Dream for Every Ballet Lover

There are moments when the art of ballet transcends the stage — when it becomes a language of the soul, a mirror of beauty itself.
This November, that moment will happen in Barcelona.

On November 9 and 10, 2025, the Gran Teatre del Liceu will open its legendary stage to a gathering of artists so extraordinary that the very idea feels like a dream.
The Gran Gala de Danza: From Petipa to Balanchine, organized by the Ballet de Catalunya and the Gran Teatre del Liceu, will unite an international constellation of stars — a living tribute to ballet’s timeless power and to the genius of those who shaped it.

For us who breathe ballet as if it were air, these two evenings will be sacred.


🩰 The Liceu: A Temple of Memory and Rebirth

Few theatres in the world possess the soul of the Gran Teatre del Liceu.
For more than 175 years, its stage has hosted the greatest legends of music and dance. Here, Margot Fonteyn once illuminated the air with her divine stillness; Rudolf Nureyev, Maya Plisetskaya, and Carla Fracci filled this house with their grace and fire.

To see the Liceu once again become a cathedral of classical dance — this time alive with the brilliance of a new generation — is to feel the continuity of art itself.
From Petipa’s Imperial elegance to Balanchine’s modern geometry, the history of ballet will unfold anew in the city that has always loved both passion and precision.


🎼 The Orchestra, the Repertoire, and the Dream

Under the direction of Andrea Quinn, the Symphony Orchestra of the Gran Teatre del Liceu will perform the music that has shaped ballet’s soul: Tchaikovsky, Massenet, Puccini, Yates, Bates — from romantic to neoclassical, from Petipa’s grandeur to Balanchine’s clarity.

Choreographies by Marius Petipa, George Balanchine, Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa will offer a panorama of styles, eras, and emotions — a living map of ballet itself.


💫 A Dialogue Across Centuries

The Gala’s title — From Petipa to Balanchine — is not just a description; it is a journey.
It evokes the lineage of art: the 19th-century romantic ideal, the 20th-century modern reimagination, and the 21st-century renewal that these dancers embody.

Each artist carries the DNA of their school — Russian precision, French purity, British lyricism, American dynamism, Catalan passion — converging into one voice.
Together, they remind us that ballet, for all its discipline, is ultimately about emotion — about making time stop, if only for a heartbeat.


🕊️ The Promise of an Unforgettable Night

To see all these stars in one theatre, for two nights only, is a privilege few audiences in the world will ever know.
For those who enter the Liceu on November 9 or 10, it will be more than a performance — it will be an act of communion between past and future, between dancer and dreamer.

The chandeliers will shimmer, the orchestra will breathe, and when the curtain rises, we will feel the presence of Fonteyn, Nureyev, Petipa, Balanchine — and the pulse of a new century of dance.

Because ballet, at its heart, is not only movement.
It is memory, spirit, eternity.
And on those nights, eternity will dance again — in Barcelona.

Saint Petersburg - Giuseppe Verdi - La forza del destino - Mariinsky Theatre - 30th April 2026

On Thursday, April 30th, 2026, Mariinsky Theatre will host an event of truly exceptional artistic and historical importance: a rare performa...