Costa Mesa - Sylvia - ABT - April 2026

In April 2026, the radiant dancers of American Ballet Theatre will bring to life the enchanting world of Sylvia at the illustrious Segerstrom Hall, accompanied by the refined artistry of the Pacific Symphony. This long-awaited engagement promises not merely a performance, but an immersion into a realm where mythology breathes, love defies destiny, and beauty unfolds in its purest form.

At the heart of this sumptuous production lies the celestial music of Léo Delibes, whose score shimmers with elegance, tenderness, and luminous charm. So profound was its impact that the great Pyotr Ilyich Tchaikovsky himself confessed admiration bordering on reverence, recognizing in Sylvia a musical jewel of extraordinary refinement. Each phrase seems to float like golden light, gently carrying the dancers through moments of heroic grandeur and intimate poetry.

This staging, rooted in the visionary genius of Frederick Ashton, embodies the essence of classical ballet at its most expressive and sophisticated. Ashton’s choreography breathes with musical intelligence and emotional nuance, weaving intricate footwork, sculptural poses, and tender pas de deux into a living tapestry of grace.

The role of Sylvia herself will be entrusted to an exceptional constellation of ballerinas, each bringing her own distinctive brilliance to the huntress heroine. Among them, Chloe Misseldine enchants with her crystalline purity and youthful radiance; Devon Teuscher captivates with her noble presence and silken lyricism; Catherine Hurlin dazzles with vibrant musicality and spirited attack; Skylar Brandt sparkles with delicate refinement and ethereal lightness; and Hee Seo moves with poetic serenity and exquisite emotional depth.

Each of these magnificent artists embodies Sylvia not merely as a character, but as a living, breathing embodiment of strength and vulnerability. They are at once regal and tender, fierce yet profoundly human—true muses of movement whose expressive arms and eloquent footwork seem to speak directly to the soul. Their presence transforms the stage into a sanctuary of beauty, where every gesture feels inevitable and every moment glows with meaning.

The entire company, united in purpose and passion, will illuminate the stage with sweeping ensembles, exhilarating leaps, and sculptural formations that reveal the full splendor of Ashton’s vision. The orchestra, conductor, and dancers become one living organism, breathing together in perfect harmony.

This California engagement is part of a global celebration of Ashton’s legacy, echoing across continents and resonating as far as the legendary Metropolitan Opera House, where audiences continue to treasure the timeless masterpieces of classical ballet.

To witness Sylvia is to surrender oneself to enchantment—to be carried away by music of rare beauty, by choreography of sculptural elegance, and above all by the luminous, unforgettable ballerinas who embody its heart. In their artistry, one finds not only technical perfection, but something far more precious: poetry made visible.

The golden doors of Segerstrom Hall will open to welcome one of the world’s most illustrious ballet companies, the incomparable American Ballet Theatre. Their arrival in California is not merely a tour—it is a celestial gathering of stars, a constellation of extraordinary artists who will breathe life into the mythical heroine Sylvia. For five unforgettable performances, audiences in Costa Mesa will witness a succession of exceptional ballerinas, each bringing her own poetry, strength, and luminous individuality to this timeless role.

Opening Night – Thursday, April 9 at 7:30 pm

Sylvia: Chloe Misseldine

Aminta: Joo Won Ahn

Orion: Cory Stearns

Eros: Carlos Gonzalez

The honor of opening night will belong to the radiant and fast-rising star, Princpal dancer Chloe Misseldine, one of the most exciting young principal dancers of her generation. Trained at the prestigious Orlando Ballet School, she possesses a rare combination of crystalline technique, sculptural purity, and emotional maturity far beyond her years. Promoted to Principal Dancer in 2024, she has already established herself as a magnetic presence in iconic roles such as Odette/Odile in Swan Lake, Giselle, and Tatiana in Onegin.

Misseldine’s artistry is distinguished by her refined musicality, imperial line, and an ethereal serenity that seems to suspend time itself. Her interpretation of the Black Swan at Barcelona’s Gran Teatre del Liceu in November of last year was met with overwhelming acclaim, earning prolonged ovations and confirming her status as one of ballet’s most captivating emerging luminaries. Her Sylvia promises to be both regal and deeply human—at once a fierce huntress and a tender woman transformed by love.

She will be partnered by the noble and elegant Joo Won Ahn, whose princely bearing and impeccable classicism make him an ideal Aminta, while Cory Stearns brings dramatic intensity to Orion, and Carlos Gonzalez lends sparkling brilliance to Eros.

---

Friday, April 10 at 7:30 pm

Sylvia: Devon Teuscher (Role Debut)

Aminta: Thomas Forster (Role Debut)

Orion: James Whiteside

Eros: Takumi Miyake

The following evening will mark a highly anticipated debut by Devon Teuscher, a Principal Dancer since 2017 and one of the company’s most deeply respected artists. Born in Pennsylvania, Teuscher is admired for her poetic restraint, expressive refinement, and profound dramatic intelligence. Critics have praised her for embodying “classicism, repose, lyricism, and ardor,” noting her ability to illuminate the stage with quiet emotional radiance.

Her career has been filled with distinguished interpretations, from Juliet in Romeo and Juliet to Myrta in Giselle, and the title role in Jane Eyre, where her subtle emotional depth created an unforgettable portrait. Her debut as Sylvia is eagerly awaited and promises to reveal new dimensions of her artistry—strength softened by vulnerability, and precision infused with luminous grace.

---

Saturday Matinee – April 11 at 2:00 pm

Sylvia: Catherine Hurlin

Aminta: Isaac Hernández

Orion: Jose Sebastian

Eros: Carlos Gonzalez

Born in New York City and trained at the Jacqueline Kennedy Onassis School, Catherine Hurlin is a ballerina of magnetic power and vibrant theatrical presence. Promoted to Principal Dancer in 2022, she quickly established herself as one of the company’s most commanding artists.

Her repertoire includes triumphant performances as Kitri in Don Quixote, Odette/Odile in Swan Lake, and Callirhoe in Of Love and Rage. Hurlin dances with fearless energy, sculptural clarity, and emotional intensity. Her Sylvia will undoubtedly be bold, passionate, and unforgettable—an embodiment of mythic strength and feminine complexity.

She will be partnered by Isaac Hernández, whose noble elegance and heroic line bring an ideal romantic presence to Aminta.

---

Saturday Evening – April 11 at 7:30 pm

Sylvia: Skylar Brandt

Aminta: Jake Roxander

Orion: Patrick Frenette

Eros: Elwince Magbitang

Skylar Brandt, born and raised in Purchase, New York, brings to Sylvia a rare brilliance and crystalline precision. The youngest of three sisters, she trained from childhood with extraordinary dedication and rose through the ranks with dazzling speed.

Her dancing combines diamond-sharp footwork with radiant musical sensitivity and effortless elevation. Brandt possesses an effervescent stage presence that captivates audiences instantly, blending technical virtuosity with warmth and charm. Her Sylvia will shimmer with youthful vitality, grace, and luminous beauty.

Sunday Matinee – April 12 at 1:00 pm

Sylvia: Hee Seo

Aminta: Aran Bell

Orion: Cory Stearns

Eros: Takumi Miyake

Closing the engagement is the exquisite Hee Seo, born in South Korea and one of the most beloved Principal Dancers in the company’s history. She made history as the first Korean ballerina promoted to principal at American Ballet Theatre and remains admired for her unmistakable artistic voice.

Her dancing has been described as possessing an “unhurried purity,” defined by lyrical openness, humility, and profound emotional sincerity. Seo brings a transcendent quality to every role she inhabits, and her Sylvia will surely be a portrait of poetic elegance—gentle, noble, and deeply moving.

She will be partnered by the remarkable Aran Bell, whose refined sensitivity and effortless elevation create an ideal romantic counterpart.

---

This extraordinary engagement represents a true procession of stars. Each performance offers a different vision of Sylvia—imperial, tender, fiery, or ethereal—revealed through the unique artistry of five magnificent ballerinas at the height of their powers.

California awaits with open arms. The stage of Costa Mesa will become a sanctuary of beauty, where mythology awakens, music breathes, and the greatest dancers of their generation gather to share their art. For audiences fortunate enough to be present, these evenings will not simply be performances, but memories to treasure for a lifetime.

En avril 2026, les danseurs rayonnants de l'American Ballet Theater donneront vie au monde enchanteur de Sylvia dans la prestigieuse salle Segerstrom, accompagnés par le talent raffiné du Pacific Symphony. Cet événement tant attendu promet bien plus qu'un simple spectacle : une véritable immersion dans un univers où la mythologie prend vie, où l'amour défie le destin et où la beauté se déploie dans toute sa pureté.

Au cœur de cette somptueuse production se trouve la musique céleste de Léo Delibes, dont la partition scintille d'élégance, de tendresse et d'un charme lumineux. Son impact fut si profond que le grand Piotr Ilitch Tchaïkovski lui-même confessa une admiration frôlant la vénération, reconnaissant en Sylvia un joyau musical d'un raffinement extraordinaire. Chaque phrase semble flotter comme une lumière dorée, portant délicatement les danseurs à travers des moments d'une grandeur héroïque et d'une poésie intime.

Cette mise en scène, née du génie visionnaire de Frederick Ashton, incarne l'essence même du ballet classique dans ce qu'il a de plus expressif et de plus sophistiqué. La chorégraphie d'Ashton, empreinte d'intelligence musicale et de nuances émotionnelles, tisse une trame de grâce vivante, tissée de jeux de jambes complexes, de poses sculpturales et de tendres pas de deux.

Le rôle de Sylvia sera confié à une constellation exceptionnelle de ballerines, chacune apportant sa propre brillance à l'héroïne chasseresse. Parmi elles, Chloé Misseldine enchante par sa pureté cristalline et son éclat juvénile ; Devon Teuscher captive par sa présence noble et son lyrisme soyeux ; Catherine Hurlin éblouit par sa musicalité vibrante et son énergie débordante ; Skylar Brandt scintille de raffinement délicat et de légèreté éthérée ; et Hee Seo se meut avec une sérénité poétique et une profondeur émotionnelle exquise.

Chacune de ces magnifiques artistes incarne Sylvia non seulement comme un personnage, mais comme une incarnation vivante de la force et de la vulnérabilité. Elles sont à la fois royales et tendres, farouches et profondément humaines – de véritables muses du mouvement dont les bras expressifs et les pieds éloquents semblent parler directement à l'âme. Leur présence métamorphose la scène en un sanctuaire de beauté, où chaque geste semble inéluctable et chaque instant vibrant de sens.

L'ensemble de la compagnie, unie par une même passion et un même but, illuminera la scène de mouvements d'ensemble majestueux, de sauts exaltants et de formations sculpturales qui révéleront toute la splendeur de la vision d'Ashton. L'orchestre, le chef d'orchestre et les danseurs ne font plus qu'un, respirant à l'unisson en parfaite harmonie.

Ce spectacle en Californie s'inscrit dans le cadre d'une célébration mondiale de l'héritage d'Ashton, dont l'écho résonne à travers les continents et jusqu'au légendaire Metropolitan Opera House, où le public continue de chérir les chefs-d'œuvre intemporels du ballet classique.

Assister à un ballet comme Sylvia, c'est se laisser envoûter, se laisser emporter par une musique d'une rare beauté, par une chorégraphie d'une élégance sculpturale, et surtout par les ballerines lumineuses et inoubliables qui incarnent son âme. Dans leur art, on découvre non seulement la perfection technique, mais quelque chose de bien plus précieux : une poésie rendue visible.

Paris - Sylvia - Palais Garnier from 08 May to 04 June 2025

The most awaited with excitement ballet of the season, Sylvia, finally arrives in Paris. This wonderful show, simply sensational from start to finish, will premiere on May 8, 2025. If there's an important date in the Parisian cultural world, it's this one. Sylvia, a ballet that was a huge success at its premiere in Paris as well, was gradually forgotten, inexplicably, since the music is simply sensational, a masterpiece that Tchaikovsky himself considered superior to Swan Lake. This brilliant show is choreographed by the sensational artist, Manuel Legris. I discovered him years ago as a dancer, and like everyone else, he left us speechless. He is considered one of the best dancers on the planet, one of the best in the world. Simply, truly, a prodigy of technique, elegance, and musicality. A pleasure to watch him dance in any ballet. It was wonderful to watch him dance, and fortunately, we have videos to enjoy. He no longer dances, but he does a lot of work related to the world of ballet, directing companies and choreographing. He had great success with Le Corsaire and now he'll have it again in Paris with this unprecedented show. Why? Parisian audiences are used to seeing all kinds of ballets and stars, but... this is the first time that Léo Delibes' most beautiful ballet will be seen in Paris, choreographed by one of the world's most iconic dancers, who so absorbed the legacy of the legendary Rudolf Noureev. In short, we are witnessing a truly historic event, because although the ballet has already been seen in other cities, this is the first time it will be performed live in Paris with Parisian stars, in this case the unsurpassed and wonderful ballerina, one of my favorites in the world, Amandine Albisson. Sylvia is a legendary role. We go back to Margot Fonteyn, who premiered it in London. Years later, in 2004, I went to see Darcey Bussell, the great British star and the first Sylvia of the 21st century in the history of this ballet. Now, in 2025, we will be able to rediscover Manuel Legris's wonderful and demanding choreography, performed by the great star, Amandine Albisson. I consider this exceptional ballerina to be one of the best in the world, for her technique, her grace, and her ability to convey emotion through movement. Amandine Albisson has an impeccable technique, I saw her for the first time I think in 2011, I don't remember exactly in which ballet, but since she was named première danseuse, I saw her in many roles, and I have always been fascinated, she reminds me a lot of  Darcey Bussell, so curiously, she is the one in charge of giving life to Sylvia in this new stage of ballet in the repertoire of the Paris opera company, just as it was Darcey Bussell who gave life to Sylvia in London with great success in 2004 , I was there myself to witness it. I really like Amandine Albisson in everything she dances, but above all I liked her Odette / Odile a few years ago, her fragility as Odette, and the sadness of the character with an impressive delicacy at the same time her majestic movements made her an extraordinary Odette, and also, her Odile is unsurpassed, divine, wonderful, Amandine shows her most daring and seductive side, moving with confidence and power. Her technical precision and impressive mastery of Noureev's steps, including her 33 fouettés, make her the ideal Odile. Not to mention her magnetic stage presence, not only in Swan Lake but in every ballet in which she appears. As I said, I'd go so far as to say that London has Darcey Bussell and Paris has Amandine Albisson. A stroke of luck for lovers of fine classical ballet at the highest level. The cast on the opening night is sensational, I couldn't go on and on commenting on each and every one of them, I've seen them all dance so many times and they've amazed me so many times, really, we're witnessing a première unique , historic, and one that will be unforgettable for the lucky ones who can attend this historic evening, everything is already sold out, but maybe some lucky one can find a last minute ticket, let's not lose hope, in any case, filming is planned so the rest of the planet will be able to enjoy this work of art, because for me it won't be just another ballet performance, it will be an event of the highest artistic level, bringing together two geniuses, Léo Delibes and Manuel Legris, and the talent of the opéra dancers, with the Palais Garnier opera orchestra, these are moments that will remain written in the memory of Parisian artistic history and myself.

Le ballet le plus attendu de la saison, Sylvia, arrive enfin à Paris. Ce merveilleux spectacle, tout simplement sensationnel du début à la fin, sera présenté en première le 8 mai 2025. S'il y a une date importante dans le monde culturel parisien, c'est bien celle-là. Sylvia, un ballet qui avait connu un immense succès lors de sa première à Paris également, a été peu à peu oublié, de manière inexplicable, tant la musique est tout simplement sensationnelle, un chef-d'œuvre que Tchaïkovski lui-même considérait comme supérieur au Lac des Cygnes. Ce spectacle brillant est chorégraphié par l'artiste en lettres capitales, Manuel Legris. Je l'ai découvert il y a des années en tant que danseur et, comme tout le monde, il nous a laissé sans voix. Il est considéré comme l’un des meilleurs danseurs de la planète, l’un des meilleurs du monde. Vraiment, tout simplement, un prodige de technique, d’élégance et de musicalité. C'est un plaisir de le voir danser dans n'importe quel ballet. C'était merveilleux de le regarder danser, et heureusement, nous avons des vidéos pour en profiter. Manuel Legris ne danse plus, mais il fait beaucoup de choses liées au monde du ballet, dirigeant des compagnies et chorégraphiant. Il a eu un grand succès avec Le Corsaire et maintenant il aura un grand succès à Paris avec ce spectacle inédit, Parce que Le public parisien est habitué à voir toutes sortes de ballets et de stars, mais... c'est la première fois qu'il verra à Paris le plus beau ballet de Léo Delibes, chorégraphié par l'un des danseurs les plus emblématiques du monde, qui a tant absorbé du légendaire Noureev. En bref, nous assistons à un événement véritablement historique, puisque même si le ballet a déjà été vu dans d'autres villes, c'est la première fois qu'il sera joué en direct à Paris avec des stars parisiennes, en l'occurrence l'inégalable et merveilleuse danseuse, l'une de mes préférées au monde, Amandine Albisson. Sylvia est un rôle mythique, on remonte à Margot Fonteyn qui l'a créé à Londres et des années plus tard en 2004 je suis moi-même allé voir Darcey Bussell, la grande star britannique et la première Sylvia du 21ème siècle dans l'histoire de ce ballet. Désormais, en 2025, nous pourrons redécouvrir la merveilleuse et exigeante chorégraphie de Manuel Legris interprétée par la grande star de l'opéra, Amandine Albisson. La danseuse exceptionnelle est considérée par moi comme l'une des meilleures au monde, pour sa technique, sa grâce et sa capacité à transmettre des émotions par le mouvement. Amandine a une technique impeccable, je l'ai vue pour la première fois je crois que c'était en 2011, je ne m'en souviens plus le ballet exact, mais depuis qu'elle a été nommée première danseuse, je l'ai vue dans de nombreux rôles, et j'ai toujours été fascinée par elle, Amandine Albisson me fait toujours penser à Darcey Bussell quand je la vois danser,  par sa façon de danser et sa présence sur scène, même leur physique est similaire, belle, grande, élégante et aux lignes infinies, des danseuses exceptionnellement uniques. Donc curieusement, c'est elle qui est chargée de donner vie à Sylvia dans cette nouvelle étape du ballet au répertoire de l'opéra de Paris, tout comme c'est Darcey Bussell qui a donné vie à Sylvia à Londres avec un grand succès. J'ai beaucoup aimé Amandine Albisson dans tout ce qu'elle a dansé, mais j'ai surtout aimé son Odette/Odile il y a quelques années, sa fragilité en Odette, et la tristesse du personnage avec une délicatesse impressionnante en même temps ses mouvements majestueux faisaient d'elle une Odette extraordinaire, et aussi, son Odile est insurpassable, divine, merveilleuse, Amandine montre son côté le plus audacieux et le plus séduisant, se déplaçant avec confiance et puissance. Sa précision technique et sa maîtrise impressionnante des pas de Noureev, dont ses 33 fouettés, font d'elle l'Odile idéale. Sans parler de sa présence magnétique sur scène non seulement dans Le Lac des Cygnes, mais dans tous les ballets dans lesquels elle apparaît. Comme je l’ai dit, j’oserais dire que Londres a Darcey Bussell et Paris a Amandine Albisson. Un coup de chance pour les amateurs de bon ballet classique au plus haut niveau. La distribution du jour de l'ouverture est sensationnelle, je ne pourrais pas continuer à commenter chacun d'entre eux, je les ai vus danser tellement de fois et ils m'ont émerveillé tellement de fois, vraiment, nous assistons à une première de super stars, historique, et qui sera inoubliable pour les chanceux qui pourront assister à cette soirée historique, tout est déjà complet, mais peut-être qu'un chanceux trouvera un billet de dernière minute, ne perdons pas espoir, en tout cas, le tournage est prévu pour que le reste de la planète puisse profiter de cette œuvre d'art, car pour moi ce ne sera pas juste un autre spectacle de ballet, ce sera un événement du plus haut niveau artistique, réunissant deux génies, Léo Delibes et Manuel Legris, et le talent des danseurs de l'opéra, avec l'orchestre de l'opéra du Palais Garnier, sont des moments qui resteront écrits dans la mémoire de l'histoire artistique parisienne.

Il balletto più atteso della stagione, Sylvia, arriva finalmente a Parigi. Questo spettacolo meraviglioso, semplicemente sensazionale dall'inizio alla fine, debutterà l' 8 maggio 2025. Se c'è una data importante nel mondo culturale parigino, è proprio questa. Sylvia, un balletto che ottenne un enorme successo anche alla sua prima a Parigi, è stato progressivamente dimenticato, inspiegabilmente, perché la musica è semplicemente sensazionale, un capolavoro che lo stesso Čajkovskij considerava superiore al Lago dei cigni. Questo spettacolo straordinario è coreografato dall'artista con le lettere maiuscole, Manuel Legris. L'ho scoperto anni fa come ballerino e, come tutti, ci ha lasciato senza parole. È considerato uno dei migliori ballerini del pianeta, uno dei migliori al mondo. Davvero, semplicemente, un prodigio di tecnica, eleganza e musicalità. È un piacere vederlo danzare in qualsiasi balletto. È stato meraviglioso vederlo ballare e, fortunatamente, abbiamo dei video per goderceli. Non balla più, ma si occupa di molte cose legate al mondo del balletto, dirigendo compagnie e coreografando. Ha avuto un grande successo con Le Corsaire e ora avrà un grande successo a Parigi con questo spettacolo senza precedenti. Perché? Il pubblico parigino è abituato a vedere ogni genere di balletto e stars, ma... questa è la prima volta che vedrà a Parigi il più bel balletto di Léo Delibes, coreografato da uno dei ballerini più iconici al mondo, che ha assorbito tanto dal leggendario Noureev. Insomma, stiamo assistendo a un evento davvero storico, perché, nonostante il balletto sia già stato visto in altre città, è la prima volta che verrà eseguito dal vivo a Parigi con delle star parigine, in questo caso l'insuperabile e meravigliosa ballerina, una delle mie preferite al mondo, Amandine Albisson. Sylvia è un ruolo leggendario, torniamo a Margot Fonteyn che lo presentò per la prima volta a Londra e anni dopo, nel 2004, andai io stesso a vedere Darcey Bussell, la grande star britannica e la prima Sylvia del XXI secolo nella storia di questo balletto. Ora, nel 2025, potremo riscoprire la meravigliosa e impegnativa coreografia di Manuel Legris, interpretata dalla grande stella dell'Opéra de Parigi, Amandine Albisson. Questa ballerina eccezionale è da me considerata una delle migliori al mondo, per la sua tecnica, la sua grazia e la sua capacità di trasmettere emozioni attraverso il movimento. Amandine ha una tecnica impeccabile, l'ho vista per la prima volta credo fosse il 2011, non ricordo, ma da quando è stata nominata prima ballerina l'ho vista in molti ruoli e ne sono sempre stato affascinato, è come Darcey Bussell, quindi curiosamente è lei ad essere incaricata di dare vita a Sylvia in questa nuova fase del balletto nel repertorio dell'Opéra di Parigi, così come è stata Darcey Bussell a dare vita a Sylvia a Londra con grande successo. Mi è piaciuta molto Amandine Albisson in tutto ciò che ha ballato, ma soprattutto mi è piaciuta la sua Odette/Odile di qualche anno fa, la sua fragilità come Odette e la tristezza del personaggio con una delicatezza impressionante, allo stesso tempo i suoi movimenti maestosi la rendevano un'Odette straordinaria, e inoltre, la sua Odile è insuperabile, divina, meravigliosa, Amandine mostra il suo lato più audace e seducente, muovendosi con sicurezza e potenza. La sua precisione tecnica e la sua impressionante padronanza dei passi di Noureev, compresi i suoi 33 fouettés, la rendono l'Odile ideale dell'opéra. Per non parlare della sua presenza scenica magnetica non solo nel Lago dei cigni, ma in tutti i balletti in cui appare. Come ho detto, oserei dire che Londra ha Darcey Bussell e Parigi ha Amandine Albisson. Una vera fortuna per gli amanti del buon balletto classico ai massimi livelli. Il cast del giorno dell'inaugurazione è sensazionale, non potrei continuare a commentare ognuno di loro, li ho visti ballare così tante volte e mi hanno stupito così tante volte, davvero, stiamo assistendo a una prima cinematografica, storica, e che sarà indimenticabile per i fortunati che potranno assistere a questa serata storica, è già tutto esaurito, ma forse qualche fortunato riuscirà a trovare un biglietto all'ultimo minuto, non perdiamo la speranza, in ogni caso, le riprese sono previste affinché il resto del pianeta possa godere di quest'opera d'arte, perché per me non sarà solo l'ennesimo spettacolo di balletto, sarà un evento di altissimo livello artistico, che riunirà due geni, Léo Delibes e Manuel Legris, e il talento dei ballerini dell'opera, con l'orchestra dell'opera del Palais Garnier, sono momenti che rimarranno scritti nella memoria della storia artistica parigina.

Opéra de Paris 2024 / 2025

 L'Opéra de Paris a déjà dévoilé sa programmation pour cette année 2024 et 2025 prochaine. La vérité est qu'elle est merveilleuse. On pourra écouter Verdi, Chostakovitch, Puccini, Offenbach, Gounod, Donizetti, Mozart, Minkus, Stravinsky, Ravel, Bizet, Rameau, Wagner, Bellini, Debussy, Tchaïkovski, Natalie Dessay, Léo Delibes, Elina Garanca, Massenet, Rossini, entre autres compositeurs et chanteurs. Dans le monde de la danse nous avons la merveilleuse production de La Belle au Bois Dormant qui revient à l'opéra Bastille, et cette fois le fabuleux ballet Paquita sera également donné à Bastille, nous pourrons aussi voir pour la première fois le divin exquis et grand succès déjà obtenu dans ses présentations précédentes par le magnifique chorégraphe Manuel Legris, qui présentera sa merveilleuse création "Sylvia" sur une musique de Léo Delibes, une musique dont Tchaïkovski lui-même était amoureux, cette musique divine, qui dit tout. Il y aura aussi d'autres ballets plus modernes et néo-contemporains qui raviront le public parisien et ceux qui prennent l'avion ou le train pour assister à ce qui s'annonce comme une saison pleine de succès. Je suis déjà curieux de voir le casting de La Belle au bois dormant et de Paquita et Sylvia, qui seront les stars choisies pour des rôles aussi mythiques et importants, exigeants et en même temps sublimes pour l'artiste qui les interprète. Nous continuerons à parler.

L'Opera di Parigi ha già rivelato la sua programmazione per quest'anno 2024 e il prossimo 2025. La verità è che è meravigliosa. Potremo ascoltare Verdi, Chostakovitch, Puccini, Offenbach, Gounod, Donizetti, Mozart, Minkus, Stravinsky, Ravel, Bizet, Rameau, Wagner, Bellini, Debussy, Čajkovskij, Natalie Dessay, Léo Delibes, Elina Garanca, Massenet, Rossini, tra gli altri compositori e cantanti. Nel mondo della danza abbiamo la meravigliosa produzione della Bella Addormentata nel Bosco che ritorna all'opera della Bastiglia, e questa volta alla Bastiglia verrà rappresentato anche il favoloso balletto Paquita, inoltre potremo vedere per la prima volta il divino squisito e grande successo già ottenuto nelle sue presentazioni precedenti dal magnifico coreografo Manuel Legris, che presenterà la sua meravigliosa creazione "Sylvia" con musiche di Léo Delibes, una musica di cui Čajkovskij stesso era innamorato, questa musica divina, che dice tutto. Ci saranno anche altri balletti più moderni e neo-contemporanei che delizieranno il pubblico parigino e chi prenderà un aereo o un treno per assistere a quella che si preannuncia una stagione ricca di successi. Sono già curioso di vedere il cast di La Bella Addormentata nel Bosco e di Paquita e Sylvia, che saranno le star scelte per ruoli così mitici e importanti, impegnativi e allo stesso tempo sublimi per l'artista che li interpreta. Continueremo a parlare

The Paris Opera has already revealed its programming for this year 2024 and next 2025. The truth is that it is wonderful. We will be able to listen to Verdi, Chostakovitch, Puccini, Offenbach, Gounod, Donizetti, Mozart, Minkus, Stravinsky, Ravel, Bizet, Rameau, Wagner, Bellini, Debussy, Tchaikovsky, Natalie Dessay, Léo Delibes, Elina Garanca, Massenet, Rossini, among others composers and singers. In the world of dance we have the wonderful production of Sleeping Beauty that returns to the Bastille opera, and this time the fabulous ballet Paquita will also be given in Bastille, we will also be able to see for the first time the divine exquisite and great success already obtained in its presentations previous ones by the magnificent choreographer Manuel Legris, who will present his wonderful creation "Sylvia" with music by Léo Delibes, a music that Tchaikovsky himself was in love with, this divine music, that says it all. There will also be other more modern and neo-contemporary ballets that will delight Parisian audiences and those who take a plane or train to attend what promises to be a season full of successes. I'm already curious to see the cast of Sleeping Beauty and Paquita and Sylvia, who will be the stars chosen for such mythical and important roles, demanding and at the same time sublime for the artist who plays them. We will continue talking.