Tuesday, November 18, 2025

Saint Petersburg - Anna Karenina - Maya Plisetskaya 15/20 Nov 2025

 

Maya Plisetskaya

There are names in ballet that are admired, and then there are names that alter the very course of the art.
Maya Mikhailovna Plisetskaya, born on 20 November 1925, belongs irrevocably to the latter. A legend not only of Russian ballet but of world culture, she was a phenomenon whose artistry transcended national borders, political boundaries, and stylistic categories. To speak of Plisetskaya is to speak of an era—one marked by courage, defiance, musicality beyond measure, and a dramatic intelligence that reshaped the language of classical dance.

In November, as the world approaches what would be her 100th birthday, St. Petersburg prepares to honor her with a week of performances that promise to turn the Mariinsky Theatre into the epicenter of global dance. These days are not merely performances; they are acts of remembrance, celebrations of an artist who changed ballet forever, and tributes to a woman whose shadow still falls beautifully across the stage.

The Unrepeatable Maya Plisetskaya

Plisetskaya possessed the rare gift of making roles entirely her own. Her Kitri in Don Quixote was not simply virtuosic—it was definitive, fiery, and irresistible. Her Odette-Odile blended immaculate technique with psychological nuance. Her Carmen Suite, created for her by Rodion Shchedrin, was a revolutionary reimagining of a classic femme fatale, sculpted with sharp angles, feline tension, and an authority that no dancer before or since has matched.
And her Dying Swan—those few minutes of shimmering fragility—became an icon of expressive minimalism.

For decades she was a beloved friend of the Mariinsky Theatre, an honored guest at premieres and festivals, and an artistic voice whose insight shaped the theatre’s repertoire. Many of Shchedrin’s works, born from their artistic partnership, hold a distinguished place in the Mariinsky to this day. It is therefore fitting that the theatre now pays tribute not only to her memory but also to the enduring power of the ballets she inspired.


A Week of Anna Karenina: Four Women, Four Universes

Rodion Shchedrin’s Anna Karenina—a ballet of sweeping emotion, intricate musical architecture, and devastating human drama—returns to the Mariinsky stage in a series of performances dedicated to both Plisetskaya and Shchedrin. Few ballets are so intimately tied to the soul of the artist who inspired them; few roles offer a dancer such psychological richness.

This week brings four Annas, each shaped by a different temperament, dramatic instinct, and musical sensibility.

November 15 – 14:00

Featuring: Olesya Novikova, Islom Baimuradov, Alexander Sergeev

The luminous Olesya Novikova opens this series. A dancer of crystalline technique and refined musicality, Novikova embodies Anna with a classical purity and emotional delicacy that promise a reading of the role rich in introspection. Her lines, always exquisite, seem to breathe with Tchaikovskian melancholy. Paired with Islom Baimuradov and Alexander Sergeev—artists of exceptional dramatic intelligence—this performance will undoubtedly bring forth the ballet’s quiet, aching poetry.

November 15 – 19:00

Featuring: Viktoria Tereshkina, Yevgeny Deryabin, Roman Belyakov

The evening performance brings my personal favourite: Viktoria Tereshkina, one of the greatest ballerinas of our time. Tereshkina’s dancing possesses a rare combination of power, majesty, and sculptural clarity. Her Anna is not fragile; she is formidable, proud, and tragically human. Few dancers can command the stage with such authority, and the drama of Shchedrin’s score seems to radiate through her entire presence. With Deryabin and Belyakov as her partners, this will surely be a performance of thrilling intensity.

November 17 – 19:00

Featuring: Ekaterina Kondaurova, Yevgeny Deryabin, Konstantin Zverev

Ekaterina Kondaurova—intellectual, magnetic, sculptural—approaches Anna with a psychological depth that transforms every gesture into narrative. She is a dancer who thinks in chiaroscuro, in contrasts of light and shade, making her interpretation uniquely compelling. The partnership with Deryabin and Zverev enhances the dramatic tension that lies at the heart of the ballet.

November 19 – 19:00

Featuring: Renata Shakirova, Islom Baimuradov, Alexander Sergeev

Renata Shakirova brings a different energy: youthful, vibrant, impulsive. Her attack, speed, and fearless theatricality make her Anna a portrait of emotional turbulence. This performance, with Baimuradov and Sergeev, will surely highlight the ballet’s more visceral dimensions.

Four interpretations. Four visions of womanhood, passion, vulnerability, and fate. Each cast illuminates a different facet of Shchedrin’s masterpiece. And together they create a living tribute to Plisetskaya, who shaped this ballet with her spirit long before it reached the stage.


20 November — “Maya Plisetskaya: A Portrait of an Era”

Dedicated to the 100th birthday of Maya Plisetskaya

The week culminates in a grand gala—a celebration not only of a ballerina, but of a century she helped define.
The cast reads like a gathering of stars:

Viktoria Tereshkina
Renata Shakirova
Nadezhda Batoeva
Oxana Skorik
Ekaterina Kondaurova
Maria Iliushkina
Yana Peneva
Elena Yevseyeva
Daria Kulikova
Valeria Kuznetsova
Anastasia Yaromenko

…and many of the company’s leading men, joined by the Mariinsky Orchestra under Arseny Shuplyakov.

The program of the first part has not yet been revealed, but one jewel has already been announced: Carmen Suite, the masterpiece created expressly for Plisetskaya.
It is impossible to overstate the importance of this ballet. It is not simply a role she danced—it is a role she created, shaped, and infused with her own rebellious artistic DNA. Its return to the stage on the evening of her centenary is profoundly symbolic.

This gala is not an ordinary celebration. It is a portrait not only of Plisetskaya’s artistry but of the artistic lineage she helped forge—a lineage now embodied by the brilliant dancers who will pay tribute to her.


A City Transformed: St. Petersburg at the Center of the Dance World

For these days, St. Petersburg becomes a sanctuary of memory and movement, a place where the past and present converse through choreography. Maya Plisetskaya’s legacy is not a museum artifact; it lives in the bodies and minds of the dancers who take the stage today.

To witness Tereshkina, Novikova, and Shakirova—three of my most beloved ballerinas—perform during this commemorative week is a privilege. They represent the continuation of a tradition shaped by the audacity and brilliance of Plisetskaya herself. Their artistry, each distinct, forms a constellation that honors the legacy of the ballerina who made the impossible seem not only possible, but inevitable.

These performances are not merely evenings at the theatre—they are chapters of ballet history, unfolding in real time.

As we enter this week of remembrance and celebration, one thing becomes clear:
Maya Plisetskaya did not simply dance ballet; she expanded its universe.
And in St. Petersburg, that universe shines brighter than ever.

London - Perspectives: Balanchine, Marston, Peck - Nov/Dec 2025


Triple Bill 

There are few experiences as moving and unforgettable as an evening at the Royal Opera House — the lights dim, the orchestra begins to play, and the stage opens to reveal a world of beauty, grace, and emotion. On 15 November 2025, the curtain will rise on Perspectives, a dazzling triple bill that promises to be one of the highlights of the London ballet season.

This special program brings together three very different choreographic voices — George Balanchine, Cathy Marston, and Justin Peck — spanning nearly a century of ballet history and innovation. It is a celebration of style, creativity, and musicality, performed by the incomparable artists of The Royal Ballet.


Serenade — George Balanchine

Choreography: George Balanchine
Costume Design: Karinska
Lighting Design: John B. Read
Conducted by: Martin Georgiev

Cast:

Balanchine’s Serenade is one of the great landmarks of 20th-century ballet — a lyrical masterpiece that embodies the essence of the neoclassical style. Created in 1935 on the students of the newly founded School of American Ballet, Serenade was the first ballet Balanchine made in America. Its haunting opening tableau — a group of women bathed in blue light, arms raised toward the sky — has become one of the most iconic images in dance history.

Set to Tchaikovsky’s Serenade for Strings, the ballet moves between dream and reality, order and freedom, the individual and the ensemble. Balanchine famously incorporated the dancers’ real-life mistakes and mishaps into the choreography, turning accident into art — a perfect example of his creative genius.

For many of us, it will be a special joy to see Fumi Kaneko in this ballet. Now a Principal Dancer with The Royal Ballet, she combines refined classicism with extraordinary depth and soul. I still remember seeing her on stage , another november, it was exactly 15th november 2019 — as Aurora in The Sleeping Beauty alongside Reece Clarke. That night, they were unexpectedly replacing Akane Takada and Steven McRae, and what a revelation it was. Both Kaneko and Clarke would soon rise to become Principal Dancers. To witness her again now, leading Serenade, feels like a beautiful circle completed. Fumi kaneko will be surrounded by the great dancers Ryoichi Hirano, Vadim Muntagirov, Melissa  Hamilton and Leticia Dias. A first ballet that will be unforgettable with these stars on stage.


New WorkWorld Premiere by Cathy Marston

Choreography: Cathy Marston
Conducted by: Martin Georgiev
Solo Violin: Vasko Vassilev
Orchestra: Orchestra of the Royal Opera House

Cast:

Few choreographers today create ballets with such deep narrative resonance as Cathy Marston. Her works, often inspired by literature and human emotion, explore the complexities of relationships, identity, and transformation. For this world premiere, Marston turns to the evocative music of Benjamin Britten, crafting a new piece that promises to be both intellectually rich and emotionally powerful.

The cast alone makes this ballet one of the season’s most anticipated moments: Melissa Hamilton, an artist admired for her strength, sensitivity, and sculptural elegance, shares the stage with three of the company’s leading men — William Bracewell, Matthew Ball, and Nicol Edmonds. A dream ensemble, united in a new creation that will undoubtedly push the boundaries of storytelling through movement.

I personally cannot wait to see Hamilton in this work. She has such a compelling stage presence — thoughtful, passionate, yet understated. To see her alongside these remarkable partners will surely be a highlight of the evening.


Everywhere We Go — Justin Peck

Choreography: Justin Peck
Conducted by: Martin Georgiev
Orchestra: Orchestra of the Royal Opera House

Cast:

The evening will conclude with a burst of modern vitality — Justin Peck’s Everywhere We Go, marking the first time a Peck ballet has been performed by The Royal Ballet. Peck, the Resident Choreographer of New York City Ballet, is celebrated for his dynamic movement language and inventive use of ensemble. Set to Sufjan Stevens’ rhythmic and cinematic score, Everywhere We Go radiates energy, optimism, and youthful brilliance.

Leading the cast are Marianela Nuñez and Reece Clarke — a pairing that promises magic. Nuñez, one of the greatest ballerinas of our time, continues to astonish with her virtuosity, musicality, and emotional warmth. Clarke, now at the peak of his artistry, has enjoyed a remarkable year — triumphing as Aminta at the Metropolitan Opera in New York and receiving standing ovations in Giselle at the Palais Garnier in Paris, dancing alongside the Paris Opera Ballet étoile Hannah O’Neill. Soon, they will reunite in London for another Giselle, and it feels as though we are witnessing a golden moment in his career. With such a stellar program, this triple bill will undoubtedly be one of the jewels of the 2025–2026 Royal Ballet season. From Balanchine’s timeless classic to Marston’s poetic new creation and Peck’s contemporary dynamism, the evening will showcase the full breadth of The Royal Ballet’s artistry.

For anyone in London — or planning a visit to the capital — this performance on 15 November 2025 are a must , and the following evenings with equally fabulous casts, they are all great, I would see them all. 

Each performance offers a unique cast and combination of Royal Ballet stars — from the radiant Marianela Nuñez and Fumi Kaneko, to the charismatic Reece Clarke, Melissa Hamilton, and Akane Takada.

Across these dates, audiences will experience the breadth of the company’s artistry: Balanchine’s luminous Serenade, Marston’s evocative world premiere, and Peck’s exhilarating Everywhere We Go — the latter performed for the very first time by The Royal Ballet. I will do everything I can to attend the opening night — and to witness once again the luminous artistry of Fumi Kaneko, Melissa Hamilton, Reece Clarke, and Marianela Nuñez. It will surely be an evening to remember, full of elegance, emotion, and the magic that only ballet can bring.

Saturday, 15 November 2025 — 1:00 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Nicol Edmonds, Yuhui Choe, Mariko M. Sasaki

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Saturday, 15 November 2025 — 7:00 PM

Serenade
Annette Buvoli, Reece Clarke, Sae Maeda, Claire Calvert, Téo Dubreuil

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 18 November 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Sae Maeda, Claire Calvert, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Thursday, 20 November 2025 — 7:30 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Leticia Dias, Nicol Edmonds, Yuhui Choe

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 25 November 2025 — 7:30 PM

Serenade
Annette Buvoli, Mayara Magri, Reece Clarke, Claire Calvert, Téo Dubreuil

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Friday, 28 November 2025 — 7:30 PM

Serenade
Fumi Kaneko, Mayara Magri, Ryoichi Hirano, Vadim Muntagirov, Melissa Hamilton

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Tuesday, 2 December 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Claire Calvert, Mariko M. Sasaki, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda

18th november 2025

In just a couple of hours, the curtain will rise again at the Royal Opera House in Covent Garden for another wonderful performance of this triple bill. Opening night was a great success, as have been all the subsequent shows, featuring the stars of The Royal Ballet.

Today, 18 November, we’ll see the magnificent Marianela Núñez and a superb cast. And on the 20th, we’ll see Sarah Lamb, Yuhui Choe, Leticia Dias, Ryoichi Hirano, and Nicol Edmonds live on stage—my favourite dancers from the company. Sarah Lamb couldn’t attend the Barcelona ballet gala, but Ryoichi Hirano did, earning memorable acclaim. Now both will shine again on the 20th, in a truly luxurious cast.

The remaining performances are just as spectacular: all the casts are genuinely dreamlike.

Saint Petersburg - Giuseppe Verdi - La forza del destino - Mariinsky Theatre - 30th April 2026

On Thursday, April 30th, 2026, Mariinsky Theatre will host an event of truly exceptional artistic and historical importance: a rare performa...