New York - Swan Lake - ABT 2026

The American Ballet Theatre’s upcoming summer season of Swan Lake at the Metropolitan Opera House at Lincoln Center, in June and July 2026, promises to be one of the most significant cultural events of the year. Few works in the classical repertoire possess the emotional depth, musical grandeur, and timeless beauty of Tchaikovsky’s masterpiece, and when performed by a company of ABT’s extraordinary caliber, the result is destined to be nothing short of magical.

From the first moonlit entrance of the swans to the dazzling Black Swan pas de deux, audiences will once again be transported into the poetic world of Odette, Prince Siegfried, and the tragic enchantment of the lake. The famous thirty-two fouettés of Odile, the noble variations of the Prince, and the sweeping orchestral score will undoubtedly ignite thunderous applause night after night.

This season brings together an exceptional roster of ballerinas embodying Odette and Odile — each one a true artist of elegance, refinement, and technical brilliance.

Skylar Brandt, whose ethereal presence and poetic delicacy make her a dreamlike Odette, opens and crowns the season with performances that promise rare emotional depth and crystalline technique. Her interpretations float with lyrical purity, capturing the fragile soul of the Swan Queen with breathtaking grace.

Alongside her, Hee Seo brings her luminous musicality and serene nobility to the role, offering an Odette of exquisite softness and regal beauty. Devon Teuscher, known for her radiant stage presence and commanding technique, infuses the dual role with dramatic intensity and sculpted precision. Catherine Hurlin contributes her expressive artistry and youthful brilliance, while Chloe Misseldine enchants with refined elegance and natural lyricism.

SunMi Park’s poised strength and crystalline clarity promise a Swan Queen of noble line and emotional sincerity. Isabella Boylston, with her fearless virtuosity and captivating charisma, delivers a powerful yet deeply poetic interpretation. Christine Shevchenko brings dramatic richness, refined musical phrasing, and an arresting stage presence that transforms every moment into living theater.

Each of these ballerinas represents the very highest level of classical artistry — exquisite technique, expressive depth, beauty of line, and a profound understanding of storytelling through movement.

Equally remarkable is the lineup of Princes Siegfried, a gathering of some of today’s most distinguished male dancers.

Herman Cornejo, with his legendary elevation, noble artistry, and emotional intensity, offers a Siegfried of heroic lyricism. Cory Stearns brings regal authority and classical purity, while Joo Won Ahn’s refined elegance and impeccable technique lend poetic sophistication to the role. Isaac Hernández shines with charismatic strength and musical sensitivity, and Aran Bell captivates with youthful brilliance and effortless virtuosity.

Calvin Royal III contributes refined musicality and modern nobility, Daniel Camargo dazzles with powerful jumps and radiant energy, James Whiteside enchants with expressive flair and technical polish, and Thomas Forster completes the roster with lyrical strength and refined classicism.

Together, these extraordinary artists ensure that every performance will be a unique and unforgettable experience.

Swan Lake at ABT is always an event — but with dancers of this exceptional stature, the 2026 season is set to become a true phenomenon. In the days leading up to the premiere, the ballet will surely dominate conversations among dance lovers across Manhattan and far beyond, drawing audiences from around the world eager to witness this iconic work performed at its highest level.

With such a constellation of stars, each performance promises beauty, emotion, and artistic excellence — a celebration of classical ballet in its purest and most magnificent form.

Le Lac des cygnes de l’American Ballet Theatre – Été 2026 au Metropolitan Opera House

La nouvelle série de Le Lac des cygnes de l’American Ballet Theatre, présentée au Metropolitan Opera House du Lincoln Center en juin et juillet 2026, s’annonce comme l’un des événements culturels majeurs de la saison new-yorkaise. Chef-d’œuvre intemporel de Tchaïkovski, ce ballet mythique continue de fasciner par sa poésie, son drame et sa splendeur musicale — et lorsqu’il est interprété par une compagnie de l’envergure de l’ABT, l’émotion atteint des sommets.

Du frémissement nocturne du lac enchanté à l’éclat fulgurant du pas de deux du Cygne noir, le public sera transporté dans l’univers onirique d’Odette, du prince Siegfried et de la mystérieuse Odile. Les célèbres trente-deux fouettés, les élans héroïques du Prince et la majesté de l’orchestre promettent des soirées d’ovations ininterrompues.

La saison réunit une constellation exceptionnelle de ballerines incarnant Odette et Odile, toutes dotées d’une élégance souveraine, d’une technique éblouissante et d’une profonde sensibilité artistique.

Skylar Brandt, d’une délicatesse presque irréelle, incarne une Odette d’une pureté poétique rare, aérienne et émouvante. Hee Seo apporte une noblesse lumineuse et une musicalité raffinée, tandis que Devon Teuscher impressionne par sa puissance dramatique et sa virtuosité sculpturale. Catherine Hurlin séduit par son expressivité vibrante, Chloe Misseldine par son lyrisme naturel et sa grâce fluide, SunMi Park par sa clarté cristalline et son port majestueux. Isabella Boylston rayonne par son charisme et son audace technique, et Christine Shevchenko fascine par sa profondeur dramatique et son intensité scénique.

Les princes Siegfried ne sont pas en reste : tous représentent l’excellence absolue de la danse masculine.

Herman Cornejo, légendaire pour son élévation et sa noblesse artistique, offre un Siegfried héroïque et profondément lyrique. Cory Stearns incarne la pureté classique et l’autorité princière, Joo Won Ahn la finesse élégante et la précision parfaite. Isaac Hernández séduit par sa force rayonnante et sa musicalité, Aran Bell par sa virtuosité juvénile et son éclat naturel. Calvin Royal III apporte une noblesse moderne, Daniel Camargo une énergie flamboyante, James Whiteside une expressivité raffinée, et Thomas Forster une élégance lyrique d’une grande distinction.

Avec une telle distribution, chaque représentation s’annonce unique, somptueuse et inoubliable.

Le Lac des cygnes de l’ABT est toujours un triomphe — mais cette saison 2026 promet d’être un véritable phénomène artistique, attirant des passionnés du monde entier vers Manhattan pour vivre ce joyau du répertoire classique dans toute sa splendeur.

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📅 Distribution par dates – Protagonistes principaux

(Odette/Odile — Prince Siegfried)

🗓 June 17

• Skylar Brandt — Herman Cornejo

• Hee Seo — Cory Stearns

🗓 June 18

• Devon Teuscher — Joo Won Ahn

• Catherine Hurlin — Isaac Hernández

🗓 June 19

• Chloe Misseldine — Aran Bell

🗓 June 20

• SunMi Park — Calvin Royal III

• Isabella Boylston — Daniel Camargo

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🗓 July 13

• Christine Shevchenko — Calvin Royal III

🗓 July 14

• TBA — Daniel Camargo

🗓 July 15

• Hee Seo — James Whiteside

• Isabella Boylston — Thomas Forster

🗓 July 16

• Devon Teuscher — Joo Won Ahn

🗓 July 17

• Skylar Brandt — Herman Cornejo

🗓 July 18

• Catherine Hurlin — Isaac Hernández

• Chloe Misseldine — Aran Bell

Costa Mesa - Sylvia - ABT - April 2026

In April 2026, the radiant dancers of American Ballet Theatre will bring to life the enchanting world of Sylvia at the illustrious Segerstrom Hall, accompanied by the refined artistry of the Pacific Symphony. This long-awaited engagement promises not merely a performance, but an immersion into a realm where mythology breathes, love defies destiny, and beauty unfolds in its purest form.

At the heart of this sumptuous production lies the celestial music of Léo Delibes, whose score shimmers with elegance, tenderness, and luminous charm. So profound was its impact that the great Pyotr Ilyich Tchaikovsky himself confessed admiration bordering on reverence, recognizing in Sylvia a musical jewel of extraordinary refinement. Each phrase seems to float like golden light, gently carrying the dancers through moments of heroic grandeur and intimate poetry.

This staging, rooted in the visionary genius of Frederick Ashton, embodies the essence of classical ballet at its most expressive and sophisticated. Ashton’s choreography breathes with musical intelligence and emotional nuance, weaving intricate footwork, sculptural poses, and tender pas de deux into a living tapestry of grace.

The role of Sylvia herself will be entrusted to an exceptional constellation of ballerinas, each bringing her own distinctive brilliance to the huntress heroine. Among them, Chloe Misseldine enchants with her crystalline purity and youthful radiance; Devon Teuscher captivates with her noble presence and silken lyricism; Catherine Hurlin dazzles with vibrant musicality and spirited attack; Skylar Brandt sparkles with delicate refinement and ethereal lightness; and Hee Seo moves with poetic serenity and exquisite emotional depth.

Each of these magnificent artists embodies Sylvia not merely as a character, but as a living, breathing embodiment of strength and vulnerability. They are at once regal and tender, fierce yet profoundly human—true muses of movement whose expressive arms and eloquent footwork seem to speak directly to the soul. Their presence transforms the stage into a sanctuary of beauty, where every gesture feels inevitable and every moment glows with meaning.

The entire company, united in purpose and passion, will illuminate the stage with sweeping ensembles, exhilarating leaps, and sculptural formations that reveal the full splendor of Ashton’s vision. The orchestra, conductor, and dancers become one living organism, breathing together in perfect harmony.

This California engagement is part of a global celebration of Ashton’s legacy, echoing across continents and resonating as far as the legendary Metropolitan Opera House, where audiences continue to treasure the timeless masterpieces of classical ballet.

To witness Sylvia is to surrender oneself to enchantment—to be carried away by music of rare beauty, by choreography of sculptural elegance, and above all by the luminous, unforgettable ballerinas who embody its heart. In their artistry, one finds not only technical perfection, but something far more precious: poetry made visible.

The golden doors of Segerstrom Hall will open to welcome one of the world’s most illustrious ballet companies, the incomparable American Ballet Theatre. Their arrival in California is not merely a tour—it is a celestial gathering of stars, a constellation of extraordinary artists who will breathe life into the mythical heroine Sylvia. For five unforgettable performances, audiences in Costa Mesa will witness a succession of exceptional ballerinas, each bringing her own poetry, strength, and luminous individuality to this timeless role.

Opening Night – Thursday, April 9 at 7:30 pm

Sylvia: Chloe Misseldine

Aminta: Joo Won Ahn

Orion: Cory Stearns

Eros: Carlos Gonzalez

The honor of opening night will belong to the radiant and fast-rising star, Princpal dancer Chloe Misseldine, one of the most exciting young principal dancers of her generation. Trained at the prestigious Orlando Ballet School, she possesses a rare combination of crystalline technique, sculptural purity, and emotional maturity far beyond her years. Promoted to Principal Dancer in 2024, she has already established herself as a magnetic presence in iconic roles such as Odette/Odile in Swan Lake, Giselle, and Tatiana in Onegin.

Misseldine’s artistry is distinguished by her refined musicality, imperial line, and an ethereal serenity that seems to suspend time itself. Her interpretation of the Black Swan at Barcelona’s Gran Teatre del Liceu in November of last year was met with overwhelming acclaim, earning prolonged ovations and confirming her status as one of ballet’s most captivating emerging luminaries. Her Sylvia promises to be both regal and deeply human—at once a fierce huntress and a tender woman transformed by love.

She will be partnered by the noble and elegant Joo Won Ahn, whose princely bearing and impeccable classicism make him an ideal Aminta, while Cory Stearns brings dramatic intensity to Orion, and Carlos Gonzalez lends sparkling brilliance to Eros.

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Friday, April 10 at 7:30 pm

Sylvia: Devon Teuscher (Role Debut)

Aminta: Thomas Forster (Role Debut)

Orion: James Whiteside

Eros: Takumi Miyake

The following evening will mark a highly anticipated debut by Devon Teuscher, a Principal Dancer since 2017 and one of the company’s most deeply respected artists. Born in Pennsylvania, Teuscher is admired for her poetic restraint, expressive refinement, and profound dramatic intelligence. Critics have praised her for embodying “classicism, repose, lyricism, and ardor,” noting her ability to illuminate the stage with quiet emotional radiance.

Her career has been filled with distinguished interpretations, from Juliet in Romeo and Juliet to Myrta in Giselle, and the title role in Jane Eyre, where her subtle emotional depth created an unforgettable portrait. Her debut as Sylvia is eagerly awaited and promises to reveal new dimensions of her artistry—strength softened by vulnerability, and precision infused with luminous grace.

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Saturday Matinee – April 11 at 2:00 pm

Sylvia: Catherine Hurlin

Aminta: Isaac Hernández

Orion: Jose Sebastian

Eros: Carlos Gonzalez

Born in New York City and trained at the Jacqueline Kennedy Onassis School, Catherine Hurlin is a ballerina of magnetic power and vibrant theatrical presence. Promoted to Principal Dancer in 2022, she quickly established herself as one of the company’s most commanding artists.

Her repertoire includes triumphant performances as Kitri in Don Quixote, Odette/Odile in Swan Lake, and Callirhoe in Of Love and Rage. Hurlin dances with fearless energy, sculptural clarity, and emotional intensity. Her Sylvia will undoubtedly be bold, passionate, and unforgettable—an embodiment of mythic strength and feminine complexity.

She will be partnered by Isaac Hernández, whose noble elegance and heroic line bring an ideal romantic presence to Aminta.

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Saturday Evening – April 11 at 7:30 pm

Sylvia: Skylar Brandt

Aminta: Jake Roxander

Orion: Patrick Frenette

Eros: Elwince Magbitang

Skylar Brandt, born and raised in Purchase, New York, brings to Sylvia a rare brilliance and crystalline precision. The youngest of three sisters, she trained from childhood with extraordinary dedication and rose through the ranks with dazzling speed.

Her dancing combines diamond-sharp footwork with radiant musical sensitivity and effortless elevation. Brandt possesses an effervescent stage presence that captivates audiences instantly, blending technical virtuosity with warmth and charm. Her Sylvia will shimmer with youthful vitality, grace, and luminous beauty.

Sunday Matinee – April 12 at 1:00 pm

Sylvia: Hee Seo

Aminta: Aran Bell

Orion: Cory Stearns

Eros: Takumi Miyake

Closing the engagement is the exquisite Hee Seo, born in South Korea and one of the most beloved Principal Dancers in the company’s history. She made history as the first Korean ballerina promoted to principal at American Ballet Theatre and remains admired for her unmistakable artistic voice.

Her dancing has been described as possessing an “unhurried purity,” defined by lyrical openness, humility, and profound emotional sincerity. Seo brings a transcendent quality to every role she inhabits, and her Sylvia will surely be a portrait of poetic elegance—gentle, noble, and deeply moving.

She will be partnered by the remarkable Aran Bell, whose refined sensitivity and effortless elevation create an ideal romantic counterpart.

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This extraordinary engagement represents a true procession of stars. Each performance offers a different vision of Sylvia—imperial, tender, fiery, or ethereal—revealed through the unique artistry of five magnificent ballerinas at the height of their powers.

California awaits with open arms. The stage of Costa Mesa will become a sanctuary of beauty, where mythology awakens, music breathes, and the greatest dancers of their generation gather to share their art. For audiences fortunate enough to be present, these evenings will not simply be performances, but memories to treasure for a lifetime.

En avril 2026, les danseurs rayonnants de l'American Ballet Theater donneront vie au monde enchanteur de Sylvia dans la prestigieuse salle Segerstrom, accompagnés par le talent raffiné du Pacific Symphony. Cet événement tant attendu promet bien plus qu'un simple spectacle : une véritable immersion dans un univers où la mythologie prend vie, où l'amour défie le destin et où la beauté se déploie dans toute sa pureté.

Au cœur de cette somptueuse production se trouve la musique céleste de Léo Delibes, dont la partition scintille d'élégance, de tendresse et d'un charme lumineux. Son impact fut si profond que le grand Piotr Ilitch Tchaïkovski lui-même confessa une admiration frôlant la vénération, reconnaissant en Sylvia un joyau musical d'un raffinement extraordinaire. Chaque phrase semble flotter comme une lumière dorée, portant délicatement les danseurs à travers des moments d'une grandeur héroïque et d'une poésie intime.

Cette mise en scène, née du génie visionnaire de Frederick Ashton, incarne l'essence même du ballet classique dans ce qu'il a de plus expressif et de plus sophistiqué. La chorégraphie d'Ashton, empreinte d'intelligence musicale et de nuances émotionnelles, tisse une trame de grâce vivante, tissée de jeux de jambes complexes, de poses sculpturales et de tendres pas de deux.

Le rôle de Sylvia sera confié à une constellation exceptionnelle de ballerines, chacune apportant sa propre brillance à l'héroïne chasseresse. Parmi elles, Chloé Misseldine enchante par sa pureté cristalline et son éclat juvénile ; Devon Teuscher captive par sa présence noble et son lyrisme soyeux ; Catherine Hurlin éblouit par sa musicalité vibrante et son énergie débordante ; Skylar Brandt scintille de raffinement délicat et de légèreté éthérée ; et Hee Seo se meut avec une sérénité poétique et une profondeur émotionnelle exquise.

Chacune de ces magnifiques artistes incarne Sylvia non seulement comme un personnage, mais comme une incarnation vivante de la force et de la vulnérabilité. Elles sont à la fois royales et tendres, farouches et profondément humaines – de véritables muses du mouvement dont les bras expressifs et les pieds éloquents semblent parler directement à l'âme. Leur présence métamorphose la scène en un sanctuaire de beauté, où chaque geste semble inéluctable et chaque instant vibrant de sens.

L'ensemble de la compagnie, unie par une même passion et un même but, illuminera la scène de mouvements d'ensemble majestueux, de sauts exaltants et de formations sculpturales qui révéleront toute la splendeur de la vision d'Ashton. L'orchestre, le chef d'orchestre et les danseurs ne font plus qu'un, respirant à l'unisson en parfaite harmonie.

Ce spectacle en Californie s'inscrit dans le cadre d'une célébration mondiale de l'héritage d'Ashton, dont l'écho résonne à travers les continents et jusqu'au légendaire Metropolitan Opera House, où le public continue de chérir les chefs-d'œuvre intemporels du ballet classique.

Assister à un ballet comme Sylvia, c'est se laisser envoûter, se laisser emporter par une musique d'une rare beauté, par une chorégraphie d'une élégance sculpturale, et surtout par les ballerines lumineuses et inoubliables qui incarnent son âme. Dans leur art, on découvre non seulement la perfection technique, mais quelque chose de bien plus précieux : une poésie rendue visible.

Barcelona - Ballet Gala - 9/10 nov 2025

 ✨ Gran Gala de Danza at the Liceu: From Petipa to Balanchine — A Night When the World Will Dance in Barcelona

There are nights when the art of ballet transcends the stage — when it becomes a pure act of love, memory, and celebration.

On November 9 and 10, 2025, the Gran Teatre del Liceu in Barcelona will open its golden curtains for such a night — or rather, two nights — that promise to remain forever in the memory of all who breathe the poetry of dance.

Under the title “From Petipa to Balanchine”, the Gran Gala de Danza will unite on the Liceu stage a constellation of stars — the kind of dazzling line-up that only happens once in a lifetime. From St. Petersburg to London, from New York to Seoul, from Paris to Houston, from Stuttgart to Barcelona itself, the greatest artists of our era will gather to honor ballet’s eternal flame.

This is not merely a gala. It is a celebration of legacy and renewal — a dialogue between generations, between classical perfection and the vibrant pulse of today’s dance world. The Ballet de Catalunya and the Symphony Orchestra of the Gran Teatre del Liceu, conducted by Andrea Quinn, will join forces under the artistic direction of Leo Sorribes to create a night where the world’s finest dancers will offer the most exquisite gift: beauty itself.

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🌹 The Sacred Stage of the Liceu

Few theaters in the world can rival the majesty and history of the Gran Teatre del Liceu.

For over a century and a half, its stage has been a temple to music and dance — a space where Dame Margot Fonteyn, Rudolf Nureyev, Maya Plisetskaya, and so many others have cast their spells before enraptured audiences.

To see the Liceu once again transformed into a cathedral of ballet, illuminated by the radiance of a new generation, feels like witnessing time fold upon itself. The spirit of Fonteyn’s grace, of Nureyev’s fire, of the great Petipa himself, will surely hover over these two evenings, blessing the dancers who now inherit their mantle.

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🌟 A Constellation of Stars 🌟 The Stars Who Will Illuminate the Night in the Rambla Liceu Opera House 

The roster assembled for this Gala reads like a dream, each name carrying a story of devotion, artistry, and triumph.

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Maria Khoreva — Mariinsky Ballet, St. Petersburg

The jewel of the Vaganova school, Maria Khoreva embodies the essence of Russian ballet: purity, precision, and musical intelligence. She will come to Barcelona shortly after dancing Giselle at the Mariinsky — a role that has become a reflection of her own artistry: fragile, spiritual, luminous. Watching Khoreva dance is like witnessing lace move to the rhythm of a heartbeat.

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Sangeun Lee — English National Ballet

From Seoul to Dresden and now London, Sangeun Lee has traced a path of grace and quiet strength. Trained at the Sunhwa Arts Schools, she was a Soloist with the Universal Ballet and later Principal at the Semperoper Ballett Dresden, where her portrayals of Giselle and La Bayadère drew critical acclaim. Since joining the English National Ballet, her dancing radiates an effortless musicality that marries Asian lyricism with European finesse — a rare and delicate alchemy.

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Gareth Haw — English National Ballet

From Cardiff comes Gareth Haw, one of Britain’s brightest hopes. Educated at The Royal Ballet School, he ascended swiftly through the ranks of the Semperoper Ballett and, within two years of joining ENB, reached the pinnacle as Lead Principal. With noble line and poetic strength, Haw is the epitome of the modern danseur noble: intelligent, musical, and deeply human in his interpretations.

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Chloe Misseldine — American Ballet Theatre (ABT)

New York’s newest star, Chloe Misseldine, is ballet’s whisper of the future. This summer, she captivated the audience of the Metropolitan Opera House with her sublime Swan Lake — a performance hailed as “a revelation of elegance and emotion.” Soon after dancing Nikiya in La Bayadère, she will cross the Atlantic to grace the Liceu stage. Her Odette was pure soul; her Nikiya, a breath of tragedy. In Barcelona, we will witness a young artist on the threshold of legend.

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Joo Won Ahn — American Ballet Theatre (ABT)

A perfect complement to Misseldine, the South Korean Joo Won Ahn combines heroic strength with lyrical artistry. Trained at the Korea National University of Arts, his Albrecht and Solor are marked by noble presence and spiritual depth. Ahn’s technique is crystalline, but it is his quiet humility and sincerity that make his dancing unforgettable.

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Friedemann Vogel — Stuttgart Ballet

There are artists who define an era. Friedemann Vogel is one of them. Celebrating twenty-five years with the Stuttgart Ballet, he remains the quintessence of classical elegance. Recipient of the prestigious John Cranko Prize, Vogel is a poet of movement — refined, introspective, timeless. His every gesture speaks of a life dedicated to beauty.

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Olga Smirnova & Jacopo Tissi — Dutch National Ballet

After their triumphant Romeo and Juliet in Amsterdam this October, the reunion of Olga Smirnova and Jacopo Tissi on the Liceu stage will be nothing short of magic. Smirnova, with her impeccable Vaganova training and emotional depth, is the embodiment of grace. Tissi, her Italian counterpart, dances with noble grandeur and lyrical power. Together they are a symphony of passion and restraint, a dialogue between two cultures united by the same language: the language of dance.

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Sarah Lamb & Ryoichi Hirano — The Royal Ballet, London

Few partnerships possess the chemistry of Sarah Lamb and Ryoichi Hirano.

Lamb, one of the Royal Ballet’s most luminous Principals, first enchanted Barcelona as Aurora in The Sleeping Beauty during the company’s tour — a performance still remembered as one of the Liceu’s most sublime nights. Hirano, her frequent partner, is admired for his dignified artistry and profound musical understanding. Together they weave refinement and passion into the purest harmony.

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Hannah O’Neill — Étoile, Paris Opera Ballet

The Paris Opera Ballet’s newly appointed étoile, Hannah O’Neill, is the embodiment of elegance reborn. Of Japanese and New Zealand heritage, she unites precision, fire, and serenity in equal measure. Her Giselle at the Palais Garnier was greeted with rapture, and her mastery of Balanchine’s repertory has made her one of the most versatile artists in Paris. In Barcelona, she will bring the luminous spirit of the French school — crystalline, intellectual, yet heartbreakingly beautiful. Hannah O’Neill has conquered audiences with her crystalline technique and inner radiance.

Her Giselle and Aurora at the Palais Garnier were revelations — classical yet alive with emotion. A true specialist in Balanchine, she will bring Parisian chic and Balanchinean brilliance to the Liceu.

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Liudmila Konovalova — Vienna State Ballet / Guest Artist

A true Russian jewel, Liudmila Konovalova, trained at the Bolshoi Academy, carries within her the legacy of Moscow’s great classical tradition. Her Odette is a vision of purity; her technique, impeccable. Before arriving in Barcelona, she will appear in London’s Nutcracker and later in Switzerland as Odette/Odile — a testament to her international acclaim. Her presence in the Gala will bring that unique fragrance of Russian romanticism to the evening.

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Yuriko Kajiya & Connor Walsh — Houston Ballet

Yuriko Kajiya, born in Aichi, Japan, began her training at eight and became one of the first foreign students at the Shanghai Ballet School. A winner of the Prix de Lausanne, she personifies delicacy, clarity, and integrity. Her partner Connor Walsh, from Virginia, trained at the Kirov Academy and Harid Conservatory, joining Houston Ballet in 2004 and becoming Principal in 2007. Together, Kajiya and Walsh evoke the American romantic ideal — luminous, tender, technically flawless.

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Tiler Peck & Roman Mejia — New York City Ballet

From the electric heart of Manhattan comes the most dynamic duo in American ballet today. Tiler Peck, a phenomenon of musical precision and joy, and Roman Mejia, her charismatic partner, will bring to Barcelona the kinetic brilliance of Balanchine’s New York. Their dancing is the embodiment of life itself — quicksilver energy, sparkling rhythm, and the courage to reinvent every phrase anew. Few duos radiate such joy and vitality. Tiler Peck, the radiant muse of Balanchine, and Roman Mejia, her fiery partner, will bring to Barcelona the very spirit of New York: spontaneous, musical, breathtakingly alive. Watching them is to witness rhythm itself made flesh.

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Julian MacKay — Bavarian State Ballet

Julian MacKay’s story reads like a modern ballet fairytale. Born in Montana into a family of dancers, trained at the Bolshoi Academy, and polished at The Royal Ballet School, he bridges East and West with ease. Currently a Principal in Munich, he dances Albrecht in Giselle on this very stage in October — a role that marks both his Liceu debut and his artistic homecoming. His return for the Gala will feel like the continuation of a love story between dancer and theatre. Julian MacKay unites Russian discipline with American openness.

He is currently dancing Giselle as Albrecht at the Liceu — and will return for the Gala as both protagonist and promise. His elegance recalls a young Baryshnikov; his artistry, deeply his own.

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Ellen Mäkelä, Paolo Calò & David García Lucas — Ballet de Catalunya

The local spirit will shine through the dancers of the Ballet de Catalunya, led by Ellen Mäkelä and Paolo Calò, both First Soloists, and David García Lucas. They represent the vitality and excellence of Catalan dance today — artists of commitment, intelligence, and technical refinement. Their participation links this Gala not only to the great international houses but also to the creative heart of Catalonia itself.

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🎶 The Orchestra and the Repertoire

The evening’s live music will be entrusted to the Symphony Orchestra of the Gran Teatre del Liceu, under the baton of Andrea Quinn, renowned for her elegant precision and sensitivity to dancers.

The repertoire will span centuries and continents: from Marius Petipa’s classical grandeur to George Balanchine’s neoclassical architecture, through Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa.

The composers’ names — Tchaikovsky, Massenet, Yates, Bates, Puccini — form a musical bridge between worlds, uniting Russian romanticism, French lyricism, and modern soundscapes.

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💫 A Dialogue Between Centuries

To witness From Petipa to Balanchine at the Liceu is to witness ballet’s living history unfold before our eyes. Each dancer brings not only their own artistry but the heritage of their school:

the noble strength of the Russian academies, the clarity of the French tradition, the lyricism of the British style, the vitality of American ballet, and the fresh spirit of Catalonia’s own company.

It will be an evening where styles converse, where past and present meet — where Petipa’s romantic ideals meet Balanchine’s crystalline abstraction.

In that dialogue lies the beauty of ballet itself: ever ancient, ever new.

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🕊️ An Unforgettable Night Awaits

To gather such an extraordinary galaxy of talent in one theatre, for two nights only, is something that even the great stages of the world rarely achieve.

For those fortunate enough to be in Barcelona on November 9 or 10, this will be an opportunity to witness not just dance, but living history — to feel the continuity of the art that began with Petipa and still burns with Balanchine’s modern light.

The Liceu — that venerable stage that once welcomed Margot Fonteyn and now embraces the stars of a new century — will once again become the heart of the ballet world.

The chandeliers will shimmer, the orchestra will breathe, and as the curtains rise, time itself will seem to pause.

Because ballet, in its purest form, is not merely an art.

It is the promise of eternity made visible — and on those nights, eternity will dance in Barcelona.

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✨ A Dream for Every Ballet Lover

There are moments when the art of ballet transcends the stage — when it becomes a language of the soul, a mirror of beauty itself.

This November, that moment will happen in Barcelona.

On November 9 and 10, 2025, the Gran Teatre del Liceu will open its legendary stage to a gathering of artists so extraordinary that the very idea feels like a dream.

The Gran Gala de Danza: From Petipa to Balanchine, organized by the Ballet de Catalunya and the Gran Teatre del Liceu, will unite an international constellation of stars — a living tribute to ballet’s timeless power and to the genius of those who shaped it.

For us who breathe ballet as if it were air, these two evenings will be sacred.

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🩰 The Liceu: A Temple of Memory and Rebirth

Few theatres in the world possess the soul of the Gran Teatre del Liceu.

For more than 175 years, its stage has hosted the greatest legends of music and dance. Here, Margot Fonteyn once illuminated the air with her divine stillness; Rudolf Nureyev, Maya Plisetskaya, and Carla Fracci filled this house with their grace and fire.

To see the Liceu once again become a cathedral of classical dance — this time alive with the brilliance of a new generation — is to feel the continuity of art itself.

From Petipa’s Imperial elegance to Balanchine’s modern geometry, the history of ballet will unfold anew in the city that has always loved both passion and precision.

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🎼 The Orchestra, the Repertoire, and the Dream

Under the direction of Andrea Quinn, the Symphony Orchestra of the Gran Teatre del Liceu will perform the music that has shaped ballet’s soul: Tchaikovsky, Massenet, Puccini, Yates, Bates — from romantic to neoclassical, from Petipa’s grandeur to Balanchine’s clarity.

Choreographies by Marius Petipa, George Balanchine, Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa will offer a panorama of styles, eras, and emotions — a living map of ballet itself.

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💫 A Dialogue Across Centuries

The Gala’s title — From Petipa to Balanchine — is not just a description; it is a journey.

It evokes the lineage of art: the 19th-century romantic ideal, the 20th-century modern reimagination, and the 21st-century renewal that these dancers embody.

Each artist carries the DNA of their school — Russian precision, French purity, British lyricism, American dynamism, Catalan passion — converging into one voice.

Together, they remind us that ballet, for all its discipline, is ultimately about emotion — about making time stop, if only for a heartbeat.

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🕊️ The Promise of an Unforgettable Night

To see all these stars in one theatre, for two nights only, is a privilege few audiences in the world will ever know.

For those who enter the Liceu on November 9 or 10, it will be more than a performance — it will be an act of communion between past and future, between dancer and dreamer.

The chandeliers will shimmer, the orchestra will breathe, and when the curtain rises, we will feel the presence of Fonteyn, Nureyev, Petipa, Balanchine — and the pulse of a new century of dance.

Because ballet, at its heart, is not only movement.

It is memory, spirit, eternity.

And on those nights, eternity will dance again — in Barcelona.

New York - Swan Lake - 1/ 6 july 2024

The prestigious American Ballet Theatre (ABT) will present six enchanting performances of the legendary Swan Lake in New York—a rare opportunity to witness the company’s stars bring to life the dual roles of Odette and Odile, alongside their princely counterparts.

The series will commence on July 1, 2024, at 7:30 PM at the Metropolitan Opera House, with the internationally acclaimed Isabella Boylston performing the iconic roles of Odette/Odile. Having triumphed in Paris as Kitri, Boylston is celebrated worldwide for her superlative technique, musicality, and captivating stage presence. She will be joined by Daniel Camargo as Prince Siegfried in what promises to be an extraordinary premiere. This singular performance is a rare opportunity to see Boylston live in one of ballet’s most demanding and romantic roles.

On July 2, 2024, the spotlight will turn to the incomparable Gillian Murphy, performing Odette/Odile with Thomas Forster as her Prince Siegfried. Murphy, the United Kingdom-born, U.S.-raised prima ballerina of ABT, has long been admired for her artistry and precision. Her portrayal of Odette/Odile is nothing short of mesmerizing, building on the acclaim she received for her legendary performance in Le Corsaire in Costa Mesa, where her execution of the famed three pirouettes earned her thunderous applause.

The series will continue with remarkable pairings:

• July 3: Cloe Misseldine and Aran Bell

• July 4: Hee Seo and Cory Stearns

• July 5: Catherine Hurlin and James Whiteside

• July 6: Christine Shevchenko and Calvin Royal III

• July 7: Devon Teuscher and Joo Won Ahn

The grand finale on July 8 will feature Skylar Brandt and Herman Cornejo, two exceptional artists at the pinnacle of their craft. Brandt’s magnetic presence as Odette and Cornejo’s breathtaking technique as Prince Siegfried will ensure a Swan Lake evening that will be remembered for years to come.

With only six performances, this series represents a singular chance to experience the magic, drama, and artistry of Swan Lake performed by the finest talents of ABT. Each evening promises to be a masterclass in classical ballet, an unmissable celebration of one of the greatest ballets of all time. compagnie nord-américaine ABT présente cet été différentes propositions de ballet, parmi lesquelles le célèbre Lac des Cygnes, il n'y aura que 6 représentations, et aussi, avec une seule représentation des stars célèbres, c'est donc une excellente occasion de ne pas manquez ces performances mémorables. Le coup d'envoi aura lieu le 1er juillet 2024 à 19h30 au théâtre du Metropolitan Opera House avec la star de la compagnie Isabella Boylston (Odette/Odile), son prince sera Daniel Camargo (Prince Siegfried). Isabella est l'une des meilleures danseuses du monde et, logiquement, cette première du 1er juillet sera pleine d'attentes, car c'est littéralement la seule occasion de voir la star née dans l'Idaho en live dans ce rôle légendaire. J'ai vu Isabella qu'elle a eu un grand succès à Paris dans le rôle de Kitri, et partout où elle se produit c'est un succès garanti, une danse d'une qualité superlative et une technique merveilleuse, magique et sensuelle, elle sera une merveilleuse Odette Odile sans aucun doute, j'imagine elle le sera déjà, tout est complet, mais s'il reste encore des billets, je n'hésiterais pas un seul instant à acheter un billet pour voir cette star nord-américaine. Le lendemain, la personne chargée de donner vie à Odette Odile sera la légendaire Gillian Murphy aux côtés de Thomas Forster, nous connaissons tous Odile et Odette de cette danseuse inégalée née au Royaume-Uni mais élevée aux États-Unis, et actuellement , la star absolue de la compagnie, et bien sûr l'une des meilleures danseuses de toute l'Amérique, une belle occasion de voir sa merveilleuse interprétation d'Odette et Odile. Elle est devenue célèbre il y a des années grâce à sa représentation du Corsaire à Costa Mesa où elle a exécuté la célèbre variation des trois pirouettes avec une aisance et une précision exemplaires, j'oserais presque dire qu'elle a été la danseuse la plus applaudie ce soir-là, que soir Il est devenu la star de la compagnie, sans aucun doute, heureusement vous pourrez voir son spectacle ce soir-là afin que les générations futures puissent profiter de son excellent art dans le monde exigeant et difficile de la danse classique. Le reste des danseurs sera le 3 juillet 2024 Cloe Misseldine (Odette/Odile) Aran Bell (Prince Siegfried) Hee Seo (Odette/Odile ) Cory Stearns (Prince Siegfried) Catherine Hurlin (Odette/Odile) James Whiteside (Prince Siegfried) Christine Shevchenko (Odette/Odile) Calvin Royal III (Prince Siegfried) Devon Teuscher (Odette/Odile) Joo Won Ahn (Prince Siegfried) Pour terminer cette série du Lac des Cygnes nous aurons le plaisir de voir Skylar Brandt ( Odette/Odile) Herman Cornejo (Prince Siegfried), deux danseurs de la plus haute catégorie qui nous offriront un lac des cygnes à ne pas oublier, le danseur argentin nous ravira avec ses sauts et sa merveilleuse technique et la danseuse nord-américaine avec elle magnétisme chez Odette. Ce sera une soirée mémorable.

La prestigiosa compagnia nordamericana ABT presenta quest'estate diverse proposte di balletto, tra cui il famoso Lago dei cigni, ci saranno solo 6 rappresentazioni, e inoltre, con una sola esibizione delle famose star, quindi è una grande occasione per non perdetevi questi spettacoli memorabili. La partenza sarà il 1 luglio 2024 alle 19:30al teatro Metropolitan Opera Hou se con la stella della compagnia Isabella Boylston (Odette/Odile) il suo principe sarà Daniel Camargo (Principe Siegfried). Isabella è una delle migliori ballerine al mondo e, logicamente, la première del 1 luglio sarà piena di aspettative, poiché è letteralmente l'unica opportunità di vedere la star nata nell'Idaho dal vivo in questo ruolo leggendario. Ho visto Isabella che ha avuto un grande successo a Parigi come Kitri, e ovunque si esibisca è un successo assicurato, una danza di qualità superlativa e una tecnica meravigliosa, magica e sensuale, sarà una meravigliosa Odette Odile senza dubbio, immagino lei sarà già tutto esaurito, ma se ci sono ancora biglietti rimasti non esiterei un attimo a comprare un biglietto per vedere questa stella nordamericana. Il giorno successivo, la persona incaricata di dare vita a Odette Odile sarà la leggendaria Gillian Murphy insieme a Thomas Forster, conosciamo tutti Odile e Odette di questa insuperabile ballerina nata nel Regno Unito ma cresciuta negli Stati Uniti, e attualmente , la prima ballerina assoluta della compagnia e, ovviamente, una delle migliori ballerine di tutta l'America, una grande opportunità per vedere la sua meravigliosa interpretazione di Odette e Odile. Divenuta famosa anni fa grazie alla rappresentazione di Le corsaire a Costa Mesa dove eseguì la famosa variazione delle tre piroette con facilità e precisione esemplare, oserei quasi dire che fu la ballerina più applaudita quella sera, quella notte È diventato senza dubbio la star della compagnia, per fortuna quella sera è possibile vedere la sua esibizione in modo che le generazioni future possano godere della sua eccellente arte nell'esigente e difficile mondo della danza classica. Il resto dei ballerini sarà il 3 luglio 2024 Cloe Misseldine (Odette/Odile) Aran Bell (Principe Siegfried) Hee Seo (Odette/Odile) Cory Stearns (Principe Siegfried) Catherine Hurlin (Odette/Odile) James Whiteside (Principe Siegfried) Christine Shevchenko (Odette/Odile) Calvin Royal III (Principe Siegfried) Devon Teuscher (Odette/Odile) Joo Won Ahn (Principe Siegfried) Per concludere questa serie di Il lago dei cigni avremo il piacere di vedere Skylar Brandt (Odette/Odile) Herman Cornejo (Principe Siegfried), due ballerini di altissima categoria che ci regaleranno un lago dei cigni da non dimenticare, il ballerino argentino ci delizierà con i suoi salti e la sua meravigliosa tecnica e il ballerino nordamericano con i suoi magnetismo in Odette. Sarà una notte memorabile.